{"id":1639,"date":"2024-10-02T19:05:29","date_gmt":"2024-10-02T19:05:29","guid":{"rendered":"https:\/\/jazzworldquest.com\/florin_raducanu\/?page_id=1639"},"modified":"2025-03-23T18:34:47","modified_gmt":"2025-03-23T18:34:47","slug":"concerto-no-1-for-piano-and-symphonic-jazz-orchestra-2","status":"publish","type":"page","link":"https:\/\/jazzworldquest.com\/florin_raducanu\/concerto-no-1-for-piano-and-symphonic-jazz-orchestra-2\/","title":{"rendered":"Concerto No.1 for Piano and Symphonic Jazz Orchestra"},"content":{"rendered":"\n<p><strong>Concerto No.1 in B flat major for Piano and Symphonic Jazz Orchestra by Florin Raducanu \/ Extract from Parts I, II, III\/9.20 min from 33.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-content\/uploads\/2025\/02\/Concerto-final-excerpt-for-promo-3-VEED.mp4\"><\/video><\/figure>\n\n\n\n<p> <p><em>A concerto for solo instrument and symphony orchestra represents a significant milestone in a composer&#8217;s artistic journey. Beyond technical mastery in composition, it demands a high degree of improvisational creativity and an in-depth understanding of the solo instrument\u2019s technical capabilities.<\/em><\/p><\/p>\n\n\n\n<p><p><em>It is with great joy that, at this stage in my career, I have completed my first concerto for piano and orchestra.<\/em><\/p><\/p>\n\n\n\n<p><p><em>This moment holds particular significance in the context of Romanian music, as this symphonic jazz concert represents the second achievement in the history of Romanian music\/creation. The first, &#8220;The Double Concerto for Piano, Saxophone, Symphony Orchestra, and Big Band&#8221;, was composed by the brilliant Richard Oschanitzky some 55 years ago.<\/em><\/p><\/p>\n\n\n\n<p><p><em>The excerpt presented here features passages from all three movements: the first in sonata form, the second in rondo form, and the third in a multipart (or multistrophic) structure.<\/em><\/p><\/p>\n\n\n\n<p><p><em>This concerto is rooted in the tradition of classical musical forms, an aspect that invites analysis and discussion in the field of musicological criticism.<\/em><\/p><\/p>\n\n\n\n<p><p><em>I extend my gratitude to the source of inspiration and the creative force that drives our work. This concerto is rich in cantabile themes, an essential element in ensuring its distinct identity. For now, we offer a 10-minute excerpt from the full work, which will span over 33 minutes in its complete stage presentation. The premiere performance is being prepared with the utmost care, given the significance of introducing a symphonic jazz concerto\u2014structured in the classical three-movement form\u2014into the Romanian compositional landscape.<\/em><\/p><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Un&nbsp;<em>Concert pentru instrument solist&nbsp;\u0219i orchestr\u0103 simfonic\u0103<\/em>&nbsp;reprezint\u0103 un scop\/deziderat deosebit \u00een planificarea muncii \u0219i realiz\u0103rilor unui compozitor deoarece &#8211; pe l\u00e2ng\u0103 cuno\u0219tin\u021bele tehnice de natur\u0103 componistic\u0103 &#8211; este nevoie de o creativitate de natur\u0103 improvizatoric\u0103 \u0219i o cunoa\u0219tere foarte bun\u0103 a tehnicii instrumentale a instrumentului solist.<\/p>\n\n\n\n<p>Este o mare bucurie c\u0103 &#8211; la v\u00e2rsta de pu\u021bin peste jum\u0103tate de centenar &#8211; am des\u0103v\u00e2r\u0219it primul concert pentru pian \u0219i orchestr\u0103.<\/p>\n\n\n\n<p>Importan\u021ba statistic\u0103 a momentului este dat\u0103 de faptul c\u0103 acest&nbsp;<em>concert de jazz simfonic<\/em>&nbsp;reprezint\u0103 a doua realizare din istoria muzicii\/crea\u021biei rom\u00e2ne\u0219ti, primul fiind ,,Dublu concert pentru pian, saxofon, orchestr\u0103 simfonic\u0103 \u0219i big band&#8221; al genialului Richard Oschanitzky (\u00een urm\u0103 cu aprox.55 de ani&#8230;).<\/p>\n\n\n\n<p>Extrasul audio este din cele 3 p\u0103r\u021bi ale concertului, prima parte \u00een form\u0103 de sonat\u0103, a doua \u00een form\u0103 de rondo iar a treia o form\u0103 multipartit\u0103\/multistrofic\u0103.<\/p>\n\n\n\n<p>Acest concert st\u0103 bine la capitolul ,,forme muzicale&#8221;, aspectul urm\u00e2nd a fi analizat \u0219i&#8230; comentat \u00een criticile muzicologice.<\/p>\n\n\n\n<p>Mul\u021bumesc sursei care ne d\u0103 inspira\u021bia \u0219i puterea de munc\u0103, concertul av\u00e2nd din bel\u0219ug teme cantabile, aspect esen\u021bial pentru ca o crea\u021bie s\u0103 poat\u0103 fi identificat\u0103 rapid.Deocamdat\u0103, prezent\u0103m aici un extras de10 min. din cele peste 33 de minute c\u00e2t va avea concertul \u00een prezentarea scenic\u0103 a c\u0103rei prim\u0103 audi\u021bie o vom preg\u0103ti cu mare aten\u021bie, av\u00e2nd \u00een vedere importan\u021ba apari\u021biei unui concert instrumental (\u00een structur\u0103 clasic\u0103 cu 3 p\u0103r\u021bi) de jazz simfonic \u00een spa\u021biul componistic rom\u00e2nesc.<\/p>\n\n\n\n<p> <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-attachment-id=\"1646\" data-permalink=\"https:\/\/jazzworldquest.com\/florin_raducanu\/concerto-no-1-for-piano-and-symphonic-jazz-orchestra-2\/concerto-first-last-pages_page-0001\/#main\" data-orig-file=\"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-content\/uploads\/2025\/02\/Concerto-first-last-pages_page-0001.jpg\" data-orig-size=\"1650,2550\" data-comments-opened=\"0\" 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https:\/\/jazzworldquest.com\/florin_raducanu\/wp-content\/uploads\/2025\/02\/Concerto-first-last-pages_page-0002-1325x2048.jpg 1325w, https:\/\/jazzworldquest.com\/florin_raducanu\/wp-content\/uploads\/2025\/02\/Concerto-first-last-pages_page-0002.jpg 1650w\" sizes=\"(max-width: 663px) 100vw, 663px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Concerto No.1 in B flat major for Piano and Symphonic Jazz Orchestra by Florin Raducanu \/ Extract from Parts I, II, III\/9.20 min from 33. A concerto for solo instrument <a class=\"more-link\" href=\"https:\/\/jazzworldquest.com\/florin_raducanu\/concerto-no-1-for-piano-and-symphonic-jazz-orchestra-2\/\">Continue Reading \u2192<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"sharing_disabled":false,"spay_email":""},"_links":{"self":[{"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/pages\/1639"}],"collection":[{"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/comments?post=1639"}],"version-history":[{"count":7,"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/pages\/1639\/revisions"}],"predecessor-version":[{"id":1666,"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/pages\/1639\/revisions\/1666"}],"wp:attachment":[{"href":"https:\/\/jazzworldquest.com\/florin_raducanu\/wp-json\/wp\/v2\/media?parent=1639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}