Camilla Svane (Denmark)- Them There Eyes

Camilla Svane - Them There Eyes

This playful and upbeat classic is turned upside down with inspiration from Norah Jones. This interpretation transforms the song into a smooth and calm version. 

Artist and singer Camilla Svane has performed on stage throughout her career in a variety of genres and venues. Her love for jazz has guided her to her first recorded album of her most cherished jazz standards. The album “My Interpretations” is released 27 October 2023. 

With her smooth and yet powerful voice, Camilla aims to touch the hearts of the listener, as if you were sitting in the small and cozy jazz bar, watching her perform right in front of you. Camilla’s voice is extraordinary and it will create two reactions in you: You will feel relaxed, loved and happy. Wait, that was three!

Credits

Artist: Camilla Svane

Musician: Mads Søndergaard (piano)

Musician: Jakob Roland Presterud (double bass)

Musician: Henrik Holst Hansen (drums)
Written by Maceo Pinkard, William Tracey, Doris Tauber

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Artist info:

Facebook – https://www.facebook.com/camillasvanemusic

Instagram – https://www.instagram.com/camilla_svane_music

On behalf of Camilla Svane, I thank you in advance for your support!

Peter Bek, Zack’s TALENT

Email: pb@zacks.dk

Web: www.zacks.dk

JazzWorldQuest Showcase 2023

JazzWorldQuest Showcase 2022: Made in Wood(Denmark) – Simplicity

Made in Wood
”Simplicity”

Made in Wood - Simplicity 200
Made in Wood – Wednesday Vibes

Made in Wood tell unique instrumental tales through their simple and elegant music expression, creating time and space for immersion and for the listeners to join the meditative and dreamy universe. You are invited into an intimate and present musical space, where simple means of action create intense atmospheres.

Made in Wood’s musical expression has roots in the Nordic tone with an unmistakable Scandinavian, folk melodic melancholy, and at the same time there is a blend of jazzy minimalism performed at a high technical level by Jonas Berg (Sweden) on piano and Bastian Sjelberg (Denmark) on double bass; both having extensive and broad genre experience, being firmly established on the Danish music scene, playing with major singer/songwriters, pop and jazz artists.

“Simplicity” is the 2nd full album from this duo, consisting of solely original compositions, apart from one cover – the interpretation of a Danish radio hit “I Morgen Er Der Endnu En Dag” (by Andreas Odbjerg), giving it the Made in Wood sound. There are also a handful of featured artists on the album, such as Mathias Heise (harmonica), Peter Fuglsang (bass clarinet and flute), Andreas Bernitt (strings) og Gustaf Ljunggren (pedal steel).

Their first album “Ease” from 2020 entered at #1 on Apple Music’s Jazz chart, and during the last couple of years, their singles have been on rotation on Danish national radio P8 Jazz.

01 – Wednesday Vibes
02 – Careful Thoughts
03 – By The Sea (feat. Mathias Heise)
04 – Bjergstien (feat. Peter Fuglsang)
05 – Skoglåt
06 – The Play
07 – I Morgen Er Der Også En Dag (feat. Gustaf Ljunggren)
08 – Freedom (feat. Andreas Bernitt)
09 – Caring
10 – Vaggvisa

www.facebook.com/madeinwoodmusic


www.instagram.com/madeinwoodmusic

2022 © Made in Wood / Zack’s MUSIC

JazzWorldQuest Showcase 2022

JazzWorldQuest Showcase 2022: Artur Tuźnik Sextet(Denmark/Poland)-Spring

LAZY SONG – the lead single from the new album by Copenhagen-based Polish pianist and composer Artur Tuźnik features melodies of his Polish origins blended with the acoustics of Scandinavian jazz. LAZY SONG is the sound of jazz at its best, reminiscent of Charles Mingus and Nina Simone and enriched by the unique voices of six prominent figures on the Scandinavian jazz scene.  
Together with his sextet, Tuźnik presents a powerful and spiritual piece of music featuring solos from Ned Ferm on saxophone and the band leader himself on piano. 
Album press info
SPRING – the debut album from the Artur Tuźnik Sextet – takes listeners on an engaging, reflective journey through sounds, sensations and seasons in a program featuring new music that pays homage to the bandleader and composer’s greatest inspirations. The musical voices of the carefully chosen contributing instrumentalists bring nine original tunes to life in a production that’s intimate, spiritual, and offers something for audiences of all backgrounds. 
Polish pianist and composer Artur Tuźnik (born 1989) has been based in Copenhagen, Denmark since 2008 and is one of only a few musicians to have studied at both the “classical” (Royal Danish Academy of Music) and “jazz” (Rhythmic Music Conservatory) schools in the Danish capital. His fascination with both sprawling genres is evident in his virtuosic playing, but also in his compositions. As a pianist, Tuźnik is known for his work with drummer Thomas Blachman, Thomas Agergaard, Tomasz Stanko, Chris Cheek, and Tony Malaby among many others. He’s written commissioned pieces for the Classical Days festival in Holstebro and his work as a composer has been celebrated by international audiences and reviewers alike. 
The lineup of musicians he’s selected for his sextet reads like a modern all-star band of Scandinavian-based players: American tenor saxophonist Ned Ferm, who has called Copenhagen home since 2001 (known for his work with Roswell Rudd and Kurt Rosenwinkel); Norwegians Erik Kimestad on trumpet (a member of Kresten Osgood’s Quintet), Simon Albertsen on drums (Espen Berg Trio, WAKO); Swedish trombonist Petter Hängsel (Danish Radio Big Band, Horse Orchestra); the legendary Danish bassist Anders “AC” Christensen (Paul Motian’s Electric Bebop Band, Tomasz Stanko). Each of the soloists shines on this album that is thick with highlights. 
The songs were recorded in The Village Recording Studio in Copenhagen in early 2020 (just pre-pandemic) by Thomas Vang, and later mixed and mastered by Brian Massaka. The band set up and played together in the same room – a decision made by Tuźnik in order to create a musical intimacy among the players and bring that sound to listeners. That incredible closeness is present throughout this album that absolutely sparkles with creative joy while it inspires nuanced nostalgia. 
The first four songs (Road to Nowhere, January, Spring, Tales From The Road) are all interconnected and are based on unique harmonies and forms. Material from Road to Nowhere and Spring are referenced in Tales From The Road – a solo piano piece that functions as an overview for the first part of the musical journey. The next part of the journey kicks off with the enchanting Lazy Song – a tenor saxophone feature that allows both Fermand Tuźnik to soar on the moving minor mood. Christensen plays the band into the energetic, tidal rubato flow of Monday with a meditative bass solo and the album goes to another new place on Water – a tune that follows the theme down a stream that develops into a babbling brook and later becomes roaring rapids. The album’s final selection, Monstera Deliciosa, is a return to the group’s “swing” mode. 
The Artur Tuźnik Sextet has officially arrived in 2022 with an album that reminds us of the interconnectedness of the composer’s influences and tunes that put his clear appreciation for nature, spiritualism, and musical beauty front and center. The melodic, harmonic, and structural flow of the music whisks listeners away on a journey that’s engaging, entertaining, and peppered with provocative, natural tension and resolution. SPRING deserves to be heard multiple times to fully grasp its depth, and as the detailed layers of meaning unfold with each listening experience, audiences can look forward to understanding more about the Artur Tuźnik Sextet and its musical mission. 

Musicians:
Artur Tuźnik – piano
Ned Ferm – tenor saxophone
Erik Kimestad – trumpet
Petter Hängsel – trombone
Anders “AC” Christensen – double bass
Simon Olderskog Albertsen – drums

JazzWorldQuest Showcase 2022