JazzWorldQuest Showcase 2025: Roberto Magris Europlane for Jazz-Freedom is Peace

Freedom-Is-Peace-Roberto-Magris

“Freedom is Peace” can be viewed from several angles. First of all, it marks 20 years since Italian pianist and composer Roberto Magris founded the Europlane project in 2005 and the same number of years since his collaboration with the famous Hungarian saxophonist Tony Lakatos who is here part of this new line-up. Also on board we find a couple of fine musicians with whom Magris has previously collaborated:
Florian Brambock-alto and baritone saxophone, Lukas Oravec-trumpet and flugelhorn, Rudi Engel-acoustic bass, Gasper Bertoncelj-drums.
This remarkable well-connected “mini” European Jazz Union delighted the audience with an effervescent live performance during the Festsaal in Bad Goisernan(2024, Austria). Last but not least, today’s sextet has preserved the swing of yesteryear enhanced with new stylistic and improvisational perspectives.

Of the eight selections on the album, five of the arrangements were written by Magris whose prowess as a composer, performer and arranger on both sides of the Atlantic has been showcased on his numerous past albums.

The opener title track “Freedom is Peace” composed by Magris sets the pace spreading uplifting energy. The exuberance is the keyword; captivating solos from Lakatos, Oravec and Brambock heat up the audience. The piano comes into play with Magris’ specific force of expression, so that in the end all the musicians reach an energetic peak of high impact.
“The Island of Nowhere” highlights the artistry of veteran trumpeter Tony Lakatos, “Malay Tone” begins with an introspective bass and piano introduction, delving into an African-inspired theme. This foundation is expanded by the trumpet, leading the piece into unexpected improvisational territories.
The elegant “Laverne”(Andrew Hill) radiates lyrical charm and peace, with piano, horns and bass dancing with grace. “Something to Save from EU (You)” starts in a reflective piano-bass space before evolving into a spirited showcase of drums, piano, and improvisational freedom. “When You Touch Me” gently unfolds into a melodic exploration, featuring airy, expressive solos supported by the flowing lines of the piano.
Magris’ original composition, “Loose Fit,” provides ample freedom for the horn section to shine before returning to the piano, culminating in a dazzling drum solo.
The album closes on a high note with the lively and entertaining “Hip! For the Conference,” the bouncing melodic theme connecting all musicians playing in full force.

ROBERTO MAGRIS – piano TONY LAKATOS – tenor and soprano sax FLORIAN BRAMBÖCK – alto and baritone sax LUKÁŠ ORAVEC – trumpet and fluegelhorn RUDI ENGEL – bass GAŠPER BERTONCELJ – drums

JMood Records

JazzWorldQuest Showcase 2025

Yuval Ron Trio European Tour 2023/4

Guitarist Yuval Ron is going on a European tour with his trio in 2023/4. Yuval Ron Trio‘s style can be described as Cinematic Fusion as it combines elements of live playing, extensive instrumental compositions and a big, film-like background production of orchestral lines, soundscapes and sound effects. The show will mainly feature tunes from his latest album, Somewhere In This Universe, Somebody Hits a Drum which featured Marco Minnemann on drums, in new live trio rearrangements.

Currently confirmed tour dates:

APR 09  Zoetermeer, NL / Progdreams Festival
APR 21  Berlin, DE / Peppi Guggenheim
APR 22  Haan, DE / RRC Prog Night

MAY 26  Berlin, DE / Karneval der Kulturen
JUN 01  Tel Aviv, IL / Tmuna Theater
JUL 06  London, UK / Sci-Fi Rock Night
JUL 07  Abingdon, UK / Prog For Peart
NOV 15  Göppingen, DE / Jazz in Göppingen

NOV 16  Jena, DE / (TBC)

NOV 17  Leipzig, DE / naTo

NOV 18  Fürstenfeldbruck, DE / Subkultur

JAN 28 2024 Berlin, DE / Berlin Prog Night
FEB 23 2024 Hamburg, DE / Hamburg Prog Night

More info & tickets: https://www.yuvalron.com/live

Band Lineup:

Yuval Ron – guitar, vocals

Victor Nissim – bass

Yatziv Caspi – drums

JazzWorldQuest Showcase 2022: ARC Trio and the John Daversa Big Band – ARCEOLOGY

ARC Trio and the John Daversa Big Band(USA)-Red and Gold
Album: ARCEOLOGY The Music of MSM Schmidt
Label: Blue Canoe Records

For the past several years, former Yellowjackets bassist and prolific producer Jimmy Haslip has enjoyed an ongoing working relationship with the Bremen, Germany-based jazz fusion keyboardist and composer Michael Schmidt (aka MSM Schmidt). While Haslip played on Schmidt’s 2007 album Transit and 2009’s Destination, he ended up coproducing 2012’s Evolution, 2015’s Utopia and 2017’s Life. They take their chemistry to new heights on ARCeology: The Music of MSM Schmidt.
This dynamic offering finds Haslip and members of his ARC Trio (keyboardist Scott Kinsey and Hungarian drummer Gergö Borlai) joining forces with the GRAMMY® Award-winning John Daversa Big Band on greatly expanded versions of previously recorded Schmidt material, along with two brand new pieces composed by Kinsey and Schmidt. The result is a powerhouse collection of polished, swaggering big band fusion along the lines of the Jaco Pastorius Big Band or The Brecker Brothers’ 2003 collaboration with the WDR Big Band Köln on Some Skunk Funk.

“I wanted to see if I could make this a big band record but somehow make it different,” said Haslip. “I didn’t think it should sound like a vintage big band recording. I wanted it to sound modern and have more of an edge, which is what led me to include guest soloists like Nguyên Lê, Mike Miller, Steve Khan, Oz Noy and others. They bring progressive elements into the big band setting and add compelling ideas to each song.”
Out of the eight songs that appear on ARCeology, six were previously recorded on other Michael Schmidt records. The two brand new compositions here are Schmidt’s “Mirrors” and Kinsey’s “Quartet.” And as Haslip noted, “In approaching this project, there was the thought that if you’re going to redo songs that have already been recorded, what can be done to make them sound like new compositions? And I think with Scott’s rhythm arrangements and John’s input on the horn parts, we came up with some creative solutions.”

Haslip also credited Kinsey, who became de facto co-producer of ARCeology. “Originally, I was the point producer on this whole thing, but as time went on I just knew that Scott needed to be a part of the production team,” he recalled. “We weren’t far into the project when I approached Scott and said, ‘I want you to be my co-producer on this because you’re contributing so much great work and it’s only fair that we do this together.’ He was up for that, so I am happy to say that Scott and I co-produced the record. I can’t take full credit for what’s happened here, as Scott was the real workhorse. He played most of the keyboard and synth parts and did all the keyboard solos, of course. Also, Scott’s rhythm arrangements had a big hand in influencing John’s horn arrangements. There was a lot of cool stuff already in place for John to just embellish. But then again, John has his own unique voice for orchestration. Everything he wrote after the fact was fantastic.”

Blue Canoe Records

JazzWorldQuest Showcase 2022