Art/ Music Lyrics/ By Hip Spoken Word Artist Tony Adamo
And those usual Adamo lyrics offer more jazz hipster inside material—names, places, and the haunts of the hip. Tony Adamo is an inviting entertainer with honesty and integrity about the material he offers, and he is a deeply soulful singer. Allaboutjazz/
Tony Adamo/Hip Spoken Word
Gary Steinberg/Tenor Sax
Tim Campbell/Organ
Tony Adamo/ Drum Program
Barry Schiffman/Northern Lights Recording
Link to CD store
Acclaimed saxophonist John Waugh (best known for his role as a sideman to the globally renowned band “The 1975”) and celebrated guitarist/composer George Solonos are excited to announce the release of their new single, “Quietly in Mind“. This highly anticipated track serves as the lead single from their forthcoming EP, “Reverie”, slated for release in early 2025.
Drawing from the rich traditions of Jazz and World music, “Quietly in Mind” highlights Waugh’s evocative saxophone artistry, seamlessly paired with Solonos’ virtuosic guitar playing and cinematic production. The result is an immersive soundscape that bridges contemporary jazz and atmospheric storytelling, offering listeners a transcendent musical experience.
Following the resounding success of their previous EP, “Dive”, which held the top spot on the iTunes Jazz Charts for an impressive two weeks, this dynamic duo returns with a project that promises to captivate audiences with its bold artistry and genre-defying compositions.
About the Artists
John Waugh: Renowned for his work as a sideman to The 1975, Waugh’s saxophone mastery has earned him a reputation as one of modern music’s most compelling instrumentalists.
George Solonos: A gifted guitarist and composer from Cyprus, Solonos has collaborated with industry legends including Quincy Jones, Tommy Lee (Mötley Crüe), and Boy George, solidifying his status as a versatile and innovative artist.
Key Highlights
Previous Success: Their EP Dive not only captured critical acclaim but also dominated the iTunes Jazz Charts for two weeks.
Innovative Approach: Known for blending Jazz and World music with cinematic elements, Waugh and Solonos craft works that resonate deeply with global audiences.
Quietly in Mind will be available on all major streaming platforms starting December 13, 2024. Be sure to stay tuned for the follow-up email containing the streaming link, so you can experience the next chapter in this remarkable duo’s musical journey.
Contact Information
For press inquiries, interviews, or additional details:
Stay Connected
Instagram: https://www.instagram.com/george_solonos
https://www.instagram.com/jwaughsaxophone
Spotify: https://open.spotify.com/artist/1CDXAP9M1UIQxwLhLNRLjs
https://open.spotify.com/artist/5xTAiA0ZfdnmJuBJIg9WKG
Website: George Solonos | new music
Session Saxophonist – John Waugh
| Espace Impair Nouvel album Valse En U Sortie le 15/11/2024 chez Booster Music |
| Espace Impair est de retour le 15 novembre en digital et le 16 novembre en physique avec l’album Valse en U. Composé de Gérald Lacharrière (flûte), Matthieu Buchaniek (violoncelle), Frédéric Volanti (piano & mélodica), ce trio virtuose qui ne ressemble à personne est né d’une envie commune de composer dans un langage musical qui n’a pas de frontière, entre classique, jazz et musique du monde. Couronné en 2022 par le Prix du Jury au Tremplin Jazz en Nord, par le Prix du public au Tremplin Avignon Jazz et finaliste du tremplin Jazz à Vienne, Espace Impair a enregistré l’album Valse en U au Studio La Buissonne. On y retrouve neuf titres très variés qui forment un voyage intemporel entre courbes mélodiques et hypnotisme répétitif, où les valses n’ont plus 3 temps et les O se transforment en U. Mélange subtil entre les univers du classique et du jazz, nourri par les rythmes et harmonies du monde, le premier album d’Espace Impair, nous emmène dans un voyage singulier, contrasté et onirique, qui rappelle l’esprit musical d’Henri Texier, Enrico Pieranunzi ou Steve Reich. Premier extrait, on se laisse emporter par Uzivaj, inspiré par les lacs et montagnes de Slovénie. |
| Constitué de 3 musiciens pour qui le langage musical n’a pas de frontières, Espace Impair joue avec les codes du jazz, de la musique savante occidentale, de la pop et des musiques traditionnelles, en s’inspirant de la démarche du third stream. Conforté dans cette direction par des rencontres marquantes (Vincent Courtois, Jacques Vidal, Pascal Schumacher, Frédéric Chatoux…), le trio constitué de Gérald Lacharrière (flûte), Matthieu Buchaniek (violoncelle), Frédéric Volanti (piano & mélodica) propose une synthèse de ces influences à travers des compositions originales mêlant harmonieusement l’improvisation à l’écriture. La particularité de la formation flûte/violoncelle/piano colore un univers singulier et poétique, où l’on peut croiser les ombres de Texier, Pieranunzi, Garbarek, Reich… L’album Valse en U, enregistré par Gérard de Haro au Studio La Buissonne interroge par sa singularité poétique et nous entraine entre jazz et improvisation dans un espace féérique où l’imaginaire se développe à l’écoute de mélodies simples et colorées, rythmées et dansantes, tout en suivant l’esthétique et les influences qui lui sont propre : la musique minimaliste et les rythmiques impaires. En concert le 16/11/2024 à Croix à L’Auditorium Debussy Facebook Instagram Lien digital WorldMusicMix |
Sarantos – Hate to see you Happy
Sarantos
“Hate To See You Happy”
ISRC: QMHDU2300010
Sounds Like: Leonard Bernstein (West Side Story)
Mood: enthusiastic
Genre: comedy, classical, folk, world
130 BPM, fast tempo, Musical Key D Major / Eb Major
Lead inst: Vocals
Track Length: 2:37
Sarantos says, “Inspired by the theatrical genius of Andrew Lloyd Webber, “Hate to See You Happy” brings playful wit and a dash of dramatic flair. And yes… it’s part of a musical I’m secretly crafting!
Sarantos – Hate to see you Happy (Original Mix)
This song is inspired by Andrew Lloyd Webber. It’s playful, witty and yeah, it’s part of a musical that I’m writing.
Billie Davies to release a single, recorded in 2016 in New Orleans at her Terrytown studio, scheduled for release on September 27, 2024.
“Thinking of Marie Laveau”
Closing of a series of original albums and mostly freely improvised music that was created in New Orleans: “Hand In Hand In The Hand Of The Moon”, “On Hollywood Boulevard”, “Perspectives”, “Whadeva” and “On Hollywood Boulevard (Live at The Mint in New Orleans), there was one that still had to be published and preserved for the future.
A piece of music, a work of art, created very spontaneously in 2016. It was created there with her very favorite musicians living in New Orleans and with whom she recorded many beautiful works of art and performed with many times as a trio/quartet/quintet. She wanted it published, she wanted it preserved for eternity.
Billie Davies decided to close of her time in New Orleans and the music that was created there with her magical trio with “Thinking of Marie Laveau”, one of the very first original works she recorded on her electronic drumset, they played and recorded it so very well in 2016. The same trio she later recorded “On Hollywood Boulevard” and “Perspectives” with, the same trio she performed with all over New Orleans.
While Billie and Evan were waiting for Oliver to get ready, Billie just suddenly started this play on her toms in a certain kind of a rhythmic/melodic way and a few beats later Evan got inspired and started playing the trombone and the keys… and a little bit later in the music you can hear Oliver joining in… as if everything was meant to be this way.
A totally spontaneous and freely improvised creation in the moment.
Billie was thinking and expressing her momentary feelings on the drums and as if Evan could read her thoughts he expressed an atmosphere and melodic accents as if it were meant to be, poetry. When one lets this music in, when one surrenders to it, one can see people dancing around a fire at midnight, one feels the secret inner belly of spiritual New Orleans, one feels the primeval and tribal spirits and energies that are still present today, it makes one think of Halloween and Mardi Gras… brought to your ears and fantasies by these very talented musicians in a very sultry, sensuous, rhythmic and magical way.
That is also why Billie ended up calling it “Thinking of Marie Laveau”, she felt her then, it made her think about her and about New Orleans and it still does.
She has finaly come around to publishing it to a larger audience as a single… Thank you.
—
Title: “Thinking Of Marie Laveau”
Release Artist: Billie Davies.
Release Date: 09/02/2024
Free Improvisation from the studio.
Genre: Jazz, Fusion.
Mood: Sultry, Sensuous, Tribal, Rhythmic, Spiritual.
Musicians & Composers: Billie Davies on electronic drums, Evan Oberla on keys and trombone, Oliver Watkinson on electric bass.
Recording: Mike Davies
Mixing: Mike Davies & Billie Davies
Mastering: Mike Davies
Label: Independent
Distributed in the US and Canada with ReverbNation
Published at ReverbNation, Bandcamp
09/02/2024
Billie Davies PR
http://www.billiedaviesmusic.com
| Peyman Yazdanian Nouvel album Just About Cinema Disponible chez Melmax Music |
| Quelques mois après la réédition de son Live In Lecce, l’artiste iranien Peyman Yazdanian sort Just About Cinema, un album sur lequel on retrouve onze de ses meilleures musiques de films. Avec Just About Cinema, on savoure toute la diversité musicale, et l’intense poésie qui se dégage de son métier de compositeur, à la croisée de la musique classique, de la musique contemporaine et de la musique traditionnelle persane. Qu’est ce qui relie Le vent nous emportera d’Abbas Kiarostrami (Grand Prix du Jury à Venise en 1999), Nuit d’Ivresse Printanière de Ye Lou (Palme d’or à Cannes en 2009), Un homme intègre de Mohammad Rasoulof (Prix Un Certain Regard en 2017) ou Climbing Iran de Francesca Borghetti (Prix du Public Trento Film Festival 2021), sinon l’immense talent de Peyman Yazdanian qui a composé la musique de plus de 70 films ? “Ce projet Just about Cinéma a émergélors de ma récente installation à Paris. En rassemblant des extraits de musique de films pour présenter mon travail à des réalisateurs français, dans le but d’amorcer de potentielles collaborations. J’ai eu l’idée d’en faire une compilation pour y inclure une sélection de musiques originales de films, parfois jamais commercialisées, complétée de titres déjà disponibles afin d’afficher les différentes facettes de mon écriture pour l’image” a expliqué Peyman Yazdanian pour présenter l’album déjà disponible en digital sur toutes les plateformes. Pour écouter le titre Wind Will Carry Us :https://youtu.be/NTskdryR-48?si=6iEqZz6pYwhyvEYq |
| La découverte de l’album Just About Cinema prouve que la palette musicale de Peyman Yazdanian est riche et variée, reflètant sa capacité à s’adapter à une multitude de genres cinématographiques et surtout aux attentes du compositeur, en voici quelques aspects. Émotion et Sensibilité : Peyman Yazdanian excelle dans la création de compositions émotionnelles et sensibles qui capturent les nuances des personnages et des situations. Sa musique peut être poignante, mélancolique ou inspirante selon les besoins du film. Atmosphères évocatrices : il est capable de créer des mélodies qui transportent le spectateur dans l’univers du film. Que ce soit un drame intense, une romance subtile ou un suspense palpitant, sa musique contribue à établir l’ambiance et à renforcer l’immersion du public. Mélange de traditions musicales : en tant que compositeur iranien, Peyman Yazdanian incorpore souvent des éléments de la musique traditionnelle persane dans ses compositions, ajoutant une dimension culturelle et une identité distincte à sa musique. Innovation et expérimentation : bien qu’il puisse rester fidèle à des conventions musicales éprouvées, il n’hésite pas à expérimenter avec de nouveaux sons, instruments et techniques pour créer des scores uniques et originaux.La pochette de l’album Just About Cinema est un hommage à celui qui fut un des premiers à lui accorder sa confiance : Abbas Kiarostrami, l’un des plus grands réalisateurs iraniens. Peyman Yazdanian a demandé au photographe Didier Robcis de projeter le film The Wind will carry us sur un mur, puis il s’est glissé vers l’écran comme pour ne faire qu’un avec le film, sa musique et le réalisateur. Les œuvres survivent à leurs créateurs. Lien digital Bandcamp Spotify WorldMusicMix |
| Abaji Nouvel EP Carnet de Voyages Part 1 Sortie digitale le 04/10/2024 chez Absilone En concert au Pan Piper le dimanche 13/10/2024 à 17h |
| Musicien, chanteur, compositeur et grand voyageur, Abaji est de retour avec Carnet de Voyages, un EP cinq titres nourri de ses rencontres musicales de par le monde. Après l’album Blue Shamansorti en 2021, le virtuose et multi-instrumentiste poursuit ses explorations musicales. “J’ai eu la chance et le bonheur de faire le tour du monde grâce à la musique et surtout de rencontrer des musiciens ET des instruments de musique ! Tout au long de ces voyages, je note dans ma mémoire des paysages, des sourires, des larmes et des sons, puis, en studio d’enregistrement, avec tous mes instruments rassemblés, je transforme ces souvenirs en mélodies, en rythmes et en chansons” a-t-il déclaré. Sur Carnet de Voyages, on distingue un hulusi de Chine, une flûte bansuri d’Inde, une lyra kemence de la Mer Noire, un çura de Turquie, un charango de Bolivie, un bouzouki de Grèce, un oud-guitar de son imagination, des percussions d’un peu partout et la voix enveloppante d’Abaji. Premier extrait du Carnet de Voyages, Abaji nous emmène au Mali pour Tango In Bamako, un titre qui relie le blues et la musique malienne. |
| Auteur/compositeur/multi-instrumentiste/chanteur d’origine arménienne (né au Liban) mais vivant depuis longtemps en France, l’artiste Abaji est en fait un véritable globe-trotter, musicien virtuose, nomade mais aussi polyglotte sachant nous faire voyager à travers sa musique de l’Orient à l’Asie en passant par l’Afrique, l’Amérique et l’Europe. Ethno-musicologue, spécialiste dans les médecines chinoises et les arts martiaux et humaniste devant l’éternel, Abaji chante en arménien, français, arabe, turc, grec pour honorer ses racines et lancer des passerelles entre les peuples. Avec son nouvel EP Carnet de Voyages Part 1, Abaji nous entraîne au Mali (Tango In Bamako), en Arménie (Armenian Mountains) où il avait enregistré l’album Route & Roots, puis traverse l’Atlantique pour atteindre le Chili (El Cielo de Atacama). Le voyage se poursuit en Turquie avec Tuurkish Mood, pays qui lui est cher car sa mère est née à Istanbul et son père à Smyrne. Carnet de Voyages se clôt avec Zikrayat qui veut dire souvenirs en arabe, une chanson leitmotiv qui poursuit l’auditeur pendant longtemps. A son Carnet de Voyages, Abaji a apposé les mots Organic World Music comme pour rappeler qu’à l’heure des réseaux sociaux et de l’IA incontournable, le rôle du musicien dans la société est de partager les émotions non artificielles. Abaji présentera son Carnet de Voyages le dimanche 13 octobre 2024 à 17h sur la scène du Pan Piper à Paris, et le disque sera disponible dès le 04 octobre sur toutes les plateformes digitales via le label Absilone Facebook Site officiel |
Two Giants of Smooth Jazz Release Their New Single “Wake Up”
The upcoming June 7th will see the world of Smooth Jazz and Funk eagerly welcoming the release of “Wake Up,” the new single from two prominent European guitarists: the international artists David Margam (Spain) and Horst Lippitsch (Austria)
“Wake Up” symbolizes a rebirth, an awakening to life after difficult times, offering a message of hope and
renewal. This single stands out for its elegant sound that masterfully fuses the genres of Funk, Smooth
Jazz, and RnB, reflecting the mastery and distinctive style of both artists.
“Wake Up” is not just a musical composition, but a statement of resilience and positivity. Every note and chord is designed to inspire and motivate those who listen to this masterpiece.
“Wake Up” will be available on June 7th on all streaming platforms and for digital download.
David Margam, renowned for his virtuosity and his ability to convey emotions through his guitar, has been a central figure in the Smooth Jazz scene in Spain. Horst Lippitsch, on the other hand, is acclaimed in Austria and internationally for his impeccable technique and musical versatility.
Together, they create a unique synergy that promises to captivate listeners worldwide.
Fans of both artists and lovers of Smooth Jazz & Grooves are invited to join this musical journey
celebrating life and rebirth.
Available on all digital platforms on June 7, 2024
New York City, May 2024 — Manuela Sánchez Goubert, a fresh and compelling voice in the
music world, is thrilled to announce the release of her new single, “Mamá,” released on May
25th on all major streaming platforms ahead of her debut album release this August. This track
exemplifies Manuela’s reinvention of Latin American folklore, blending traditional sounds with
modern influences.
“Mamá” is a heartfelt and evocative song that pays tribute to all mothers and nurturers, including
Manuela’s mother, who instilled in her the belief in the healing power of music.
“This song is a testament to how music can heal, and is a tribute to mothers everywhere,” says
Manuela. “Everything I am, I owe to my mom.”
“Mamá” showcases a fusion of cumbia rhythm with contemporary elements, creating a sound
that is both timeless and contemporary. Manuela’s voice, rich with emotion and authenticity,
leads the listener on a journey through the heart of Latin American folklore.
About Manuela and her band
Manuela and her band belong to a new generation, who–inspired by the folkloric traditions of the
50’s–propose new compositions with a modern touch, nourished by jazz reharmonizations.
Manuela is a Colombian artist who combines jazz with Latin American folklore, creating a
cosmopolitan sound. She studies at the Berklee Global Jazz Institute led by Maestro Danilo
Pérez and Patricia Zárate, where she hones her social activism skills by engaging in community
outreach programs, participating in social justice initiatives, and collaborating on projects that
use music as a tool for social change. Furthermore, she is an ambassador for the Latin Grammy
Cultural Foundation and participates in the Foundation’s 2024 “Leading Ladies of
Entertainment” Program.
Born and raised in the Colombian Andes, Manuela moved to New York City as a teenager, where
she was introduced to the jazz scene by mentors like Lucía Pulido and Lauren Kinhan. She has
performed in major venues around the world, including the Panamá Jazz Festival, Jazz at Lincoln
Center, and Radio City Valencia alongside world-renowned artists such as Andrés Cepeda,
Luciana Souza, Olga Román, and New York Voices.
These are her band members:
Juan Diego Panadero is a Colombian clarinetist sponsored by Légère, a two-time Latin Grammy
winner, and a star of the Disney+ series “The Low Tone Club,” currently completing his studies
at Berklee College of Music.
Sebastián Guerrero, a bassist from Medellín, graduated from Longy School of Music and EAFIT,
contributing to diverse musical projects across genres like jazz, tropical, and hip hop as a bassist,
arranger, and producer.
Juan Sebastián Ramírez Cubides is a versatile Colombian percussionist in both symphonic and
popular percussion. He graduated from the Universidad Nacional in Bogotá, Colombia, and is
currently studying world percussion and music production at Berklee College of Music.
Federico Aristizábal is a Colombian drummer, percussionist, and guitarist from Medellín,
recognized for his versatility and musicality, having won multiple music competitions and
performed with notable musicians.
Luana Brazzán, a young drummer and percussionist from Arequipa, Peru, fuses Afro-Peruvian
and Andean rhythms with jazz, and founded the all-women Afro-Peruvian jazz band Magenta
Jazz, active in festivals and concerts.
Simón Martínez is an Ecuadorian pianist, composer, producer, and arranger focused on Latin
American alternative music, who studied at Universidad San Francisco de Quito and Berklee
College of Music, and is the music director of the Latin American Student Association at
Berklee.
Felipe Álvarez is a Chilean music producer and guitarist, a Berklee graduate, who has performed
with Latin Grammy winners and currently teaches music and music production at the Mattapan
Teen Center.
What’s Next for Manuela?
On May 25th, “Mamá” was released as the lead single, with the full album of original songs set
to drop in August. Manuela and her band will embark on an international tour in mid-August,
performing on the East Coast, as well as in Colombia (Bogotá, Medellín), Ecuador (Quito), and
Peru (Lima). If you’d like to support Manuela and her band, check out her fundraising page.
“Manuela’s profound understanding of Latin American rhythms and her innovative jazz
interpretations set her apart as a truly remarkable artist,” says Danilo Pérez, Grammy
Award-winning pianist and composer, “Her work is both a homage to her heritage and a bold
step into the future of music.”
“She has a creative vision that is mature and steeped in merging her traditional background with
what interests her in the colorful world she is surrounded by,” says Lauren Kinhan of New York
Voices.
For interviews, guest list, and further information, please contact MSG Management at msg.management.co@gmail.com
Perpetual Mutations is an original album project released in July 2024, following the first collaboration between Gavin Harrison and Antoine Fafard, entitled Chemical Reactions, which debuted four years prior. Perpetual Mutations showcases an eclectic blend of musical arrangements and includes contributions from nine collaborators representing various nationalities and continents.
As it was in the first effort, all the music on this album is entirely performed and excludes any programmed instruments. The joint instrumental musical effort was put together with the clear intention of not repeating the exact same sonic textures featured in the first album and keep looking for different and original musical possibilities. For instance, Perpetual Mutations introduces classical guitar and piano, instruments absent in the 2020 album. In addition, some of the pieces feature the Rhodes piano, the soprano saxophone (performed by Jean-Pierre Zanella), as well as handpans and log drum instruments. The song Objective Reality is a piece which is led by Rodrigo Escalona on the oboe in an unusual trio format.
Some strings are also featured as lead instruments on the album, with two pieces – Deadpan Euphoria and Pentalogic Structure – where the cello has a dominant presence (performed by Joasia Cieslak and Isodora Filipovic) and on Viral Information 101 where violinist Ally Storch takes the lead. To conclude the list of contributors,
Dale Devoe – an alumni from the Stan Kenton Orchestra – provided some brass ensembles on three tracks, performing all the trombone and trumpet parts.
The pacing of Perpetual Mutations on all nine pieces takes the listener into various moods and atmospheres. Directly related to the eclectic and ever changing instrumentations used from one piece to the next, the album can’t be easily summarized as one identifiable entity. However, the playing of Harrison and Fafard on every piece is the common thread that unifies all the music on the album.
Harrison’s unmistakable sound and personal approach to the drums are evident throughout, while Fafard’s composition and playing style on the bass and guitar contribute to unify the project. Perpetual Mutations offers a fusion of musical styles and sonic textures that complements the first effort Harrison and Fafard put out four years previously.
The intention of this project is to stretch out artistic possibilities and contribute to expanding the musical spectrum. Gavin Harrison’s work with Porcupine Tree, King Crimson and The Pineapple Thief is well known to progressive fans around the world. Harrison has authored several instructional drum books and DVDs and has received multiple awards from various publications.
Fafard has been releasing his music for over 20 years. He has collaborated with some of the world’s most respected and influential players, including Vinnie Colaiuta, Jerry Goodman, Gary Husband, Simon Phillips and Todd Sucherman. Fafard’s music has been praised for its intricacy and originality by his peers.
Released in 2024, Perpetual Mutations is distributed by Amplified Distribution in the US and Code 7 in the UK.