|LAZY SONG – the lead single from the new album by Copenhagen-based Polish pianist and composer Artur Tuźnik features melodies of his Polish origins blended with the acoustics of Scandinavian jazz. LAZY SONG is the sound of jazz at its best, reminiscent of Charles Mingus and Nina Simone and enriched by the unique voices of six prominent figures on the Scandinavian jazz scene. |
Together with his sextet, Tuźnik presents a powerful and spiritual piece of music featuring solos from Ned Ferm on saxophone and the band leader himself on piano.
–Album press info
|SPRING – the debut album from the Artur Tuźnik Sextet – takes listeners on an engaging, reflective journey through sounds, sensations and seasons in a program featuring new music that pays homage to the bandleader and composer’s greatest inspirations. The musical voices of the carefully chosen contributing instrumentalists bring nine original tunes to life in a production that’s intimate, spiritual, and offers something for audiences of all backgrounds. |
Polish pianist and composer Artur Tuźnik (born 1989) has been based in Copenhagen, Denmark since 2008 and is one of only a few musicians to have studied at both the “classical” (Royal Danish Academy of Music) and “jazz” (Rhythmic Music Conservatory) schools in the Danish capital. His fascination with both sprawling genres is evident in his virtuosic playing, but also in his compositions. As a pianist, Tuźnik is known for his work with drummer Thomas Blachman, Thomas Agergaard, Tomasz Stanko, Chris Cheek, and Tony Malaby among many others. He’s written commissioned pieces for the Classical Days festival in Holstebro and his work as a composer has been celebrated by international audiences and reviewers alike.
The lineup of musicians he’s selected for his sextet reads like a modern all-star band of Scandinavian-based players: American tenor saxophonist Ned Ferm, who has called Copenhagen home since 2001 (known for his work with Roswell Rudd and Kurt Rosenwinkel); Norwegians Erik Kimestad on trumpet (a member of Kresten Osgood’s Quintet), Simon Albertsen on drums (Espen Berg Trio, WAKO); Swedish trombonist Petter Hängsel (Danish Radio Big Band, Horse Orchestra); the legendary Danish bassist Anders “AC” Christensen (Paul Motian’s Electric Bebop Band, Tomasz Stanko). Each of the soloists shines on this album that is thick with highlights.
The songs were recorded in The Village Recording Studio in Copenhagen in early 2020 (just pre-pandemic) by Thomas Vang, and later mixed and mastered by Brian Massaka. The band set up and played together in the same room – a decision made by Tuźnik in order to create a musical intimacy among the players and bring that sound to listeners. That incredible closeness is present throughout this album that absolutely sparkles with creative joy while it inspires nuanced nostalgia.
The first four songs (Road to Nowhere, January, Spring, Tales From The Road) are all interconnected and are based on unique harmonies and forms. Material from Road to Nowhere and Spring are referenced in Tales From The Road – a solo piano piece that functions as an overview for the first part of the musical journey. The next part of the journey kicks off with the enchanting Lazy Song – a tenor saxophone feature that allows both Fermand Tuźnik to soar on the moving minor mood. Christensen plays the band into the energetic, tidal rubato flow of Monday with a meditative bass solo and the album goes to another new place on Water – a tune that follows the theme down a stream that develops into a babbling brook and later becomes roaring rapids. The album’s final selection, Monstera Deliciosa, is a return to the group’s “swing” mode.
The Artur Tuźnik Sextet has officially arrived in 2022 with an album that reminds us of the interconnectedness of the composer’s influences and tunes that put his clear appreciation for nature, spiritualism, and musical beauty front and center. The melodic, harmonic, and structural flow of the music whisks listeners away on a journey that’s engaging, entertaining, and peppered with provocative, natural tension and resolution. SPRING deserves to be heard multiple times to fully grasp its depth, and as the detailed layers of meaning unfold with each listening experience, audiences can look forward to understanding more about the Artur Tuźnik Sextet and its musical mission.
Artur Tuźnik – piano
Ned Ferm – tenor saxophone
Erik Kimestad – trumpet
Petter Hängsel – trombone
Anders “AC” Christensen – double bass
Simon Olderskog Albertsen – drums
JazzWorldQuest Showcase 2022
Mike Miller(USA)-Mr. Moreira
Label: Blue Canoe Records
Rock and Jazz Guitarist Mike Miller releases a beautiful ten song album titled Trust. Mike is best know for his work with Chick Corea, Boz Scaggs, Bette Midler, Yellowjackets, Quincy Jones and so many more. Mike brings all of his year of experience into this incredible body of work. “Trust” features guest appearances from Jimmy Haslip, Jimmy Johnson, Jimmy Earl, Scott Kinsey, Brandon Fields, Gary Novak, Marilyn Scott, Jeff Babko, Chad Wackerman, Airto Moriera and so many more talented artists. “Trust” is a must have for fans of Mike Miller which features rich original compositions, stellar improvisations and prowess interplay and technique. This is a gorgeous, inspiring album and a must have for music fans everywhere!
ony Adamo(USA)-Better Than Picasso At MidNite
Well, the blue jeaned, floppy hat wearing singing street preacher Tony Adamo is back with a new upcoming album. Here’s the first single from it, “Better Than Picasso At Midnight”, which is essentially polishing, refurbishing, new engine adding remake of the classic “Better Than Anything” and machine shopped, chopped and hopped by Tony Adamo. The original lyrics are weaved into new stream of consciousness ones which include references and rhymes ranging from George Benson to Superfly. The music itself is a mix of CTI soul with a dash of disco, tasty Breezin’ guitar licks with a mix of wacka wooka by Chris Pimentel, Turrentine toned tenor treats from saxist Rob Sudduth and Crusading keys and beats from programmer Barry Schiffman. No one delivers street corner synchronized sermons like Tony A. Start passing the plate! by George W. Harris/Jazz Weekly
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Critically-acclaimed pianist and Jazz music producer Dan Costa, is set to release ‘Iremia’ featuring legendary trumpet player Randy Brecker (The Brecker Brothers). Costa, has an impressive backlog of critically acclaimed albums, and successfully presents a high level of professionalism within his craft.
Iremia takes inspiration from the picturesque island of Paros, and meaning ‘peacefulness’ in Greek, which is perfectly encapsulated with the single’s soothing and calming nature.
Dan initially studied classical piano for six years at the Académie de Musique Rainier III in the south of France, as well as jazz, and wrote his first composition at the age of twelve. In 2010, he was awarded a diploma with merit at Sir Paul McCartney’s Liverpool Institute for Performing Arts in the UK. Dan’s strong interest in his Latin roots coupled with his passion for jazz led him to study at the Escola Superior de Música e Artes do Espetáculo in Portugal, where he graduated in jazz piano with a Rotary Club award for outstanding achievement in 2015.
During his course, he was also awarded a merit grant to study Brazilian music at UNICAMP –Universidade Estadual de Campinas (São Paulo, Brazil). He pursued further studies at Berklee College of Music with a scholarship for outstanding achievement.
Costa has attended workshops and classes given by musical artists such as Gary Burton, Kevin Hays, Scott Colley, Kurt Rosenwinkel, Jorge Rossy, Chick Corea and César Camargo Mariano. Additionally, Dan has co-directed musicals, performed with orchestras and big bands, and starred as both a pianist and composer in projects in countries such as the UK, France, Finland, Germany, Spain, Greece and the USA.
In January 2016, he recorded his debut album Suíte Três Rios in Rio de Janeiro, Brazil, with musicians such as Jaques Morelenbaum, Ricardo Silveira, Teco Cardoso, Rafael Barata, Marcos Suzano and Leila Pinheiro. It peaked at #1 on the iTunes Jazz Chart and Top 10 across all genres in Portugal, prior to hitting the #1slot on the CMJ Top Adds Chart in the USA and being top 10 for several weeks on Roots Music Report.
In May 2018 he recorded his second album Skyness at Arte Suono in Italy, featuring Roberto Menescal, Jorge Helder, Teco Cardoso, Custódio Castelo, Romero Lubambo, Nelson Faria and Seamus Blake, launched at Blue Note Rio in November.
In recent years from 2018 to present day, Dan’s music has received rave reviews from the likes of JAZZIZ, Rolling Stone India, Jazz FM, All About JAZZ, Down Beat Magazine, The Jazz Word and so forth.
TriTone Asylum is based in Southern California. Spear-headed by Peter Sepsis (bass) and Philip Topping (EVI). Through their unique instrumentation, they have masterfully developed an electro acoustic sound that melds Jazz, funk, and music from around the world. TriTone Asylum’s music reflects the varied musical landscape of the sounds and street rhythms of Los Angeles. Their original songs are influenced by a variety of artists including Freddie Hubbard, Herbie Hancock, Weather Report, Pat Metheny, as well as artists from the ECM Label.
EVI: Philip Topping
Saxophone: Ian Vo, Allen Mascari, Gary Herbig
Guitar: Andy Waddell
Keyboards: Mitch Forman, Henri Wilkinson
Bass: Peter Sepsis
Drums: Dave Johnstone
Percussion: Baba Sisso
Vibraphonist, composer, educator and Fulbright Alumnus Dimitris Angelakis, a Greek native who came of age as a jazz player in Philadelphia and New York, is proud to announce the arrival of his debut recording Long Way Home, releasing on acclaimed bassist Petros Klampanis’ label ΠKmusic. Long Way Home finds Angelakis in virtuosic form, playing original compositions and inventive arrangements in a burning quartet that foregrounds the magical blend of vibraphone and Fender Rhodes electric piano, played with consummate skill by George Kontrafouris. Bassist Kimon Karoutzos and drummer Jason Wastor complete the lineup in the formidable rhythm section.
The title Long Way Home is inspired by Greek poet Konstantinos Kavafis, in particular the poem “Ithaca.” We become who we are, Angelakis suggests, through the voyages we take, and this is in fact the voyage’s ultimate goal. Wise words from a musician who has undertaken extensive journeys of his own: professional experience in Europe as a leader and sideman and Europe with Petros Klampanis, Horacio “El Negro” Hernandez (George Fakanas Group), Milcho Leviev and Paris Strother (Prince); graduate work in Philadelphia with Tony Miceli (2013) and with Christos Rafalides in New York; recording sessions and live appearances on the East Coast, not to mention a yearlong sojourn in China.
All these experiences inform the beautiful Long Way Home. The five original pieces each tell a story, most of them gleaned from inspirations particular to Greece, even as the music reflects Angelakis’ immersion in the sound and culture of American jazz. There are three songs from the jazz canon, including Bill Evans’ harmonically challenging “Very Early” and the enduring ballad “Polka Dots and Moonbeams” (on solo vibraphone). “Coral Keys,” by the late pianist Walter Bishop, Jr., prompts the quartet to stretch on music from the heart of the post-bop tradition that remains a touchstone for all involved. Harking back to the “Ithaca” theme, “Ulysses’ Journey” is inspired by the Homeric epic and the poem Ithaka from the moden Greek Poet Konstantinos Kavafis.
As a result of all this enormous trajectory Iñaki Arakistain presents us his 5th studio
ALBUM, entitled “THE SUN SHINES AGAIN” (preceded by: “Tiempos de búsqueda” 2008,
“Plan B” 2010, “Saxual “2014 and “Another Road” 2018), a new musical approach, always
accompanied by excellent musicians from the national and international scene, loaded
with good Jazz, Groove and Latin Jazz that mixes exotic sounds and roots as deep as
Flamenco fusion and Afro-American music such as Jazz Funk.
Elegantly constructed harmonizations and new sounds that travel towards a new musical direction from the most
disturbing heart of this experienced and experimental saxophonist.
Despite the fact that we are still immersed in crisis and uncertainties in the pandemic horizon, these compositions have emerged during this period. I have tried to reflect past experiences (in terms of my musical influences) and experiences lived through music, filtering them with this complicated period. I have tried to make my compositions fundamentally reflect hope and a new post-pandemic era.
JazzWorldQuest Showcase 2022