The Adam Deitch Quartet Releases Sophomore LP ‘Roll The Tape’ ft. Wil Blades, Eric “Benny” Bloom & Ryan Zoidis with Special Guest John Scofield

The Adam Deitch Quartet Releases Sophomore LP ‘Roll The Tape’ ft. Wil Blades, Eric “Benny” Bloom & Ryan Zoidis with Special Guest John Scofield

Listen to ‘Roll The Tape’ HERE 
EMBARGOED UNTIL 12AM EST NOVEMBER 10, 2023 

 Beyond his sheer virtuosity and versatility, drummer Adam Deitch has proven to be a musician of perpetual motion. In just over a year’s time, he has been the driving force behind psychedelic funk veterans Lettuce’s eighth studio album ‘Unify’, released a hip-hop beats album ‘TAKE YOUR TIME’, and now returns with the second LP release from his soul-jazz project The Adam Deitch Quartet‘Roll The Tape’, available on Deitch’s imprint Golden Wolf Records on November 10, 2023, exemplifies his unwavering commitment to producing authentic music from a broad spectrum of styles, all rooted in his tutelage of rhythmic studies & groove, and his upbringing as a drummer from a young age. The album features organist Wil Blades, Lettuce cohorts Eric “Benny” Bloom on trumpet and Ryan Zoidis on saxophone, and a feature from legendary guitarist John Scofield on the leading single “Mushroom Gravy”. 

‘Roll The Tape’ was a 1-2 punch effort coming off the heels of Lettuce recording their next full-length album as Blades flew in to join Deitch, Bloom, and Zoidis for a session at Scanhope Sound. Written on ProTools in his home studio in Denver, Colorado, Deitch composed and arranged all parts for the quartet and provided demos for the band to learn on the spot, much like the quartet’s debut LP 
Egyptian Secrets. “I’d bring the tunes in, play them on the computer, have the guys learn them as fast as possible, and then ‘roll the tape,” Deitch says of the rigor of the back-to-back sessions and marathon studio effort that contrasted the band’s debut effort recorded in two sessions over the course of five years. While the process may seem overwhelming at first glance, Blades speaks to it being a testament to Deitch’s thorough composition process and wholeness as a musician, “I don’t change much of anything at all. All of the harmonies and voicings are spot on. I grew up as a drummer, so the way Adam plays organ is the way I’m already playing organ.” 

The quartet was formed when Deitch and Blades joined forces to play a last-minute late-night show at Boom Boom Room in San Francisco after Lettuce performed at The Fillmore and Tedeschi Truck Band performed at Bill Graham Civic Center in December 2013. The impromptu after-show featured an array of special guests including Zoidis and Bloom along with Eric Krasno (Soulive), Maurice “Mo Betta” Brown (Anderson .Paak), and James Casey (Trey Anastasio Band) and Kofi Burbridge (Tedeschi Trucks Band), both who left this earth all too soon. After additional performances at New Orleans Jazz and Heritage Festival and some one-offs, Deitch knew the project had to continue and took the reigns to get the group in the studio. 

‘Roll The Tape’ features ten brand-new songs that transcend the traditional organ trio format and are accentuated by Deitch’s prowess for funk, breakbeat, hip-hop, and electronic music experiences coupled with highlighting the strengths of every musician in the group. “Wil and I are both basketball fans and homies. He is highly skilled with the organ pedals and lefthand bass and is super smart and easy to work with. Zoidis and Bloom always balance each other out with Zoidis bringing a psychedelic vibe with his effects and Benny bringing his wild, crazy Benny attitude as a great musician with great showmanship,” says Deitch. 
The lead single “Mushroom Gravy” is a tribute to Deitch’s Grandma Betty’s chicken mushroom gravy. He cites that she was pivotal in his development as a drummer as her brother and his Great Uncle Dave was the first drummer in their family and helped his father, Bobby Deitch, become a professional musician. The track features John Scofield on guitar, who has worked with Deitch since the early 00s and has keen insight into his evolution as a musician and bandleader. “It’s tremendous fun to play with the quartet because they fully understand where I’m coming from and hopefully I “get” them the same way. I think Adam and I have very simpatico concepts in music,” says Scofield of their musical chemistry. 

Of their collaborative history and Adam’s inherent impact he imparts with his collaborators, Scofield continues, “When I first played with Adam, I knew he was right for me. This kind of chemistry is hard to come by and I’ve only had it a handful of times in my life. Eric Krasno recommended Adam. When we first played together, I liked it so much that I had to change drummers in the band immediately. The result was Uberjam. This period marked a new direction in my career and without Adam, it wouldn’t have worked as well. I’ve heard him improve and get better – more refined- from that original already great drummer that I met way back when. He’s an excellent musician and one of the very best drummers period. Mad skills.” 

“Have Faith” is a gospel-inspired mutual favorite of all members of the quartet. “It’s a tribute to a life-changing experience I had playing in a gospel church in 9th grade,” says Deitch. “I ended up becoming the drummer in two church bands in Nyack, NY where I grew up. Playing with an amazing choir watching them sway from left to right and clapping on two and 4 was amazing to observe when I was 16 or 17 and the rest of the band was in their 30s-50s. It put me ahead and really made me improve when I got to Berklee in 1994 and was pretty experienced in gospel, funk, and R&B music.” With a stunning organ intro by Blades, he nods to the influence Tower of Power transmits on the tune, “It’s also a Tower of Power kind of thing and Deitch is a huge Tower of Power guy. I’m a huge Chester Thompson fan, so this song is right up my alley.” 

Not to be confused with the Arthur Schwartz jazz standard, “Alone Together” is an original composition written during the pandemic to express the universal sentiments of everyone being simultaneously isolated. It sees Deitch taking a rare direction with one of the first ballads he’s ever released. “I’m not a huge balladeer,” he explains, “It was peaceful and calming to play this big, beautiful piece with brushes contrasting the funky, hyper music I usually write.” Blades chimes in on the tune being a testament to Deitch’s dedication and musical maturity, “He’s constantly writing music at either 3 in the morning or on the tour bus after For a drummer to write that kind of harmony, it’s another example of him having everything completely fleshed out and finished—it has beautiful harmony and nice horn melody.” 
For anyone who has ever had a conversation with Deitch, looked at his social media, or read any press about him, he is one to give credit where credit is due. “Play on Playa” is an example of that as it is a direct tribute to Soulive, longtime friends, and collaborators of the group who were pillars in establishing the modern funk & soul revival in the late 90s/early 00s as East Coast trailblazers. “I owe Soulive so much. They introduced me to organ trio music, helped Lettuce’s career, and molded us into the musicians we are today,” he proclaims. 

Like ‘Egyptian Secrets’‘Roll The Tape’ features two “Language Interludes” where Deitch is playing solo drums. They are homages to ancient African traditions of using drums as a language to communicate anything from warning of intruders to calling over different villages to a ceremony. “These interludes communicate freedom without any sort of song form and create full sentences within the drums,” he says, “Most drum solos I play have some kind of horn hits or backgrounds and this was fun to play without anything else to authentically express how I’m feeling.” 
‘Roll The Tape’ epitomizes Deitch’s strength for surrounding himself with the perfect collaborators for any scenario and his ability to make even mature, serious music, resonate with music lovers from all backgrounds and maintain the ability to have fun. “Even with harmonically dense songs, this music is fun and danceable,” says Bloom, “There are lots of crowd-pleasing elements and these tunes are fun to play live—we can go in so many different directions.” 

‘Roll The Tape’ is available to listen to on all streaming platforms HERE. 

For more information and to stay posted on all of Adam Deitch’s endeavors, visit deitchbeatsdontquit.com.
ABOUT ADAM DEITCH 

On the heels of massive successes with his main projects Lettuce and Break Science, celebrated collaborations with jazz guitar luminary John Scofield, and high-profile hip-hop production placements with the likes of 50 Cent, Talib Kweli, and Redman, GRAMMY-nominated drummer/producer Adam Deitch is slated to unveil Roll The Tapethe second LP from his The Adam Deitch Quartet.  A fluid expression of the funkier side of soul-jazz, Deitch and his curated collective hint at the avant-garde, but stay grounded in warm traditions. AD4 adventures through the vibrant forest of late 60’s Verve and Blue Note cool, respectfully mining the essential elements of what makes a great hip-hop break, and then Deitch reimagines them in his own contemporary context. 

Adam Deitch is among the preeminent drummers in contemporary music today, having been featured in Modern Drummer multiple times, among myriad accolades across several genres for nearly 25 years. The only child born to two funk drummers, Deitch grew up just outside New York City in a home that celebrated all genres and eras of music – not the least of which jazz and its numerous subgenres. As such, Deitch was exposed to a plethora of legendary musicians and generational icons throughout his formative years; he studied at the renowned Berklee College of Music in Boston in the late 1990s before joining Average White Band at 19 years old. He credits the development of his jazzier vocabulary and arranging to studying with a collection of influential teachers during his formative years, a brilliance which rears its ambitious, majestic head on Roll The Tape two decades later. 

CONNECT WITH ADAM DEITCH
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Photo by Kory Thibeault
JazzWorldQuest Showcase 2023

New Album, Greece/USA: Alex Louloudis & Zack Clarke – What We Are – 2023 – ears&eyes records

Alex Louloudis & Zack Clarke – What We Are – 2023 – ears&eyes records

What We Are‘ is the flower that came out of the years-long collaboration between Zack Clarke and Alex Louloudis.
As may be apparent from listening to the album, both Clarke and Louloudis find their aesthetic preferences closer to the free jazz approaches. At the same time, one can understand that the two are heavily rooted into the jazz tradition as well as other important traditions that come from different places in the world. High on their list of influences, both in the composition and improvisation fronts, the two have Ornette Coleman and his innovation of the harmelodic approach.

JazzWorldQuest 2023: Ilya Dynov (USA)-Album: Bridges

Ilya Dynov-Bridges

Featuring: Alex Norris: trumpet, Jihee Heo: piano, Lonnie Plaxico: bass, Ilya Dynov: drums

Constellation

With his debut album “Bridges”, New York-based jazz drummer Ilya Dynov reveals himself as an outstanding contender on the jazz scene, boasting credits as a formidable performer, composer, and bandleader. The music, ranging in various jazz styles, combines tradition with virtuosity and maintains a high level of creative freedom while displaying a mature sense of harmony.

The record consists of all original compositions by Dynov and features an array of world class talent out of New York. Joining Ilya Dynov on drums are the legendary bassist Lonnie Plaxico, known for his work with Art Blakey, Jack Dejohnette and Cassandra Wilson, extraordinary trumpeter Alex Norris who regularly performs with the Vanguard and Mingus Big Bands, and the exceptional pianist Jihee Heo, a rising star in the NYC jazz scene.

“Bridges” comprises 9 tracks: four in a piano trio setting, three as a quartet with trumpet, and two flavorful drum solos provide the “Intro” and “Finale” statements.

Some of the greatest highlights can be found in the song entitled “Constellation”. This intense modern jazz tune shines through the virtuosity of Alex Norris and Jihee Heo; as soloists they display an amazingly creative and rhythmically strong character undergirded by Ilya Dynov and Lonnie Plaxico.

Website

JazzWorldQuest 2023

JazzWorldQuest Showcase 2022: Florian Arbenz, Jorge Vistel, Wolfgang Puschnig, Oren Marshall, Michael Arbenz-Conversation #8 – Ablaze

Arbenz- Vistel- Puschnig- Marshall- M. Arbenz - Conversation #8 - Ablaze

Swiss composer and drummer Florian Arbenz’s Conversations series continues with “Ablaze”, a new album where is joined by British tuba musician Oren Marshall, Austrian saxophonist Wolfgang Puschnig, Swiss pianist Michael Arbenz and Cuban trumpet player Jorge Vistel.

As always his drumming spans a wide spectrum of tonalities and rhythms, ranging from organic, free-flowing beats to strong strokes, which offers this all-star multinational gathering of talents support and vitality.

Right from the start British tuba player Oren Marshall showcases his prowess giving strength and heart to the interaction. On the opening track, “Catch Me If You Can,” the tuba’s rich, resonant tones support Florian Arbenz‘s inventive drumming and the vivacious free discussion between the trumpet and saxophone.

“Rivulets” starts off gently with the tuba soloing an amazing “throat singing”-like intro, followed by saxophone, and trumpet playing in unison, building further into a jazzy blues crescendo with all players dancing gleefully, before making room for exuberant saxophone and trumpet solos.
The lyrical highlight of the set is “Choral,” a gorgeous impressionistic work in which the melodic piano unfolds with all its splendour.

In full force “The Mirror” follows, the entertaining melodic line sustained by tuba introducing thrilling saxophone and trumpet solos. Freedom Dance present on Arbenz’s previous albums, gets new clothes reaching a big band quality full of surprises with Puschnig playing hojok (a Korean wind instrument). On “Wild flower,” a minimalist velvety ballad with moments of brilliance from Vistel’s trumpet, the pianist Michael Arbenz shines once more.

The free-form “Insight Straight” rounds up the seven-piece performance with a creative tour de force in which all the instruments combine their creative forces to produce an amalgam of unexpected sonorities.
Strongly advised for jazz lovers open to a “burning” artistic adventure.

Bandcamp

JazzWorldQuest Showcase 2022

JazzWorldQuest Showcase 2023: The Steve Fidyk Live Wire Broad Band (USA)- Album: Red Beats

The Steve Fidyk Live Wire Broad Band-Red Beats

The Steve Fidyk Live Wire Broad Band (USA)- Album: Red Beats

Integrating rhythmic power with musical taste, drummer Steve Fidyk returns to his big band roots, distinctly showcasing his dominant performance skills on this unique collection of original music.

His fourth date as a leader features an all-star band of musicians who hail from the ranks of The Buddy Rich Big Band, The Count Basie Orchestra, The Jazz Orchestra of Philadelphia, Maynard Ferguson’s Big Bop Nouveau, The Army Blues, The Navy Commodores, and The Airmen of Note.

Featured soloists include some of New York’s finest — guitar legend Jack Wilkins, tenor saxophone titan Walt Weiskopf and contemporary organist Brian Charette. Each soloist is an engaged participant that pushes Fidyk’s polyrhythmic message direct to the battleground.

Release Date:
February 20, 2023

Blue Canteen Music CD Store

JazzWorldQuest Showcase 2023

JazzWorldQuest Showcase 2021: Florian Arbenz(Switzerland)- François Moutin(France)- Maikel Vistel(Cuba) Album: Conversation #4 – Vulcanized

Florian Arbenz(Switzerland)- François Moutin(France)- Maikel Vistel(Cuba) Album: Conversation #4 – Vulcanized
Florian Arbenz’s new Conversation album called Vulcanized reveals to be a fluid interaction of undeniable virtuosity between three well established artists. What a joy to hear Maikel Vistel and François Moutin bright combination of saxophone and bass and Florian Arbenz’s compelling taste and movement.
Besides the five originals we can listen to three inventive fresh takes on well-known compositions of Thelonious Monk, Joe Zawinul and Bill Evans. Last minute changes to the band members makes for a rough-around-the-edges surprise that rejuvenates pumping up the creative juices. The change is exactly what the album needs: to elevate the sound to authentic mastery, the likes of which the jazz fan is looking for. The perfect setting for consuming this music is fireside, with eyes shut, and all senses tuned to the vivid vision that this work imagines. Hackensack is a breakout, powerful piece that entrances the listener with high-energy notes and fast-paced journey through the musician’s mind. The nearly six-minute masterpiece is zany and energetic, and calls the listener to come along for the bumpy ride and enjoy not the destination but the sights along the way. In contrast, Scarlet Woman drags the attention into the piece with a soft intro that quickly becomes a sultry, warm piece filled with musical melodrama.
A special mention of the introspective A Soothing Thrill infused with a range of poetic, mysterious layers. Overall, the arrangements are cohesive yet leaving enough space to all three musicians to showcase their abilities . The feat that was this production by the trio was nothing short of impressive, and creates much promise for Florian Arbenz’s future creative encounters.
Florian Arbenz on Bandcamp

JazzWorldQuest Showcase 2021

JazzWorldQuest Showcase 2021: Sinclair Lott(USA)-Album: Long Story Short

Sinclair Lott-Long Story Short

Sinclair Lott(USA)-Checkered Past
Album: Long Story Short
Label: Blue Canoe Records
Drum extraordinaire and composer Sinclair Lott delivers a thoughtful straight-ahead jazz album with a modern twist. Featuring Bob Sheppard (saxophones), Tigran Hamasyan (piano), Danny McKay (bass), and Sinclair Lott (drums). This ten song album titled, “Long Story Short” features seven original compositions and three cover tunes by Dizzy Gileespie, Dave Brubeck and Ornette Coleman. Fans of traditional jazz will enjoy listening to Sinclair’s Story of music with this uplifting collection of compositions and performances.
Website

JazzWorldQuest Showcase 2021