World Music Mix: Sanfeliu(Australia)-Album: To Absent Friends(4000 Records, 2022)

Sanfeliu-To Absent Friends

Sanfeliu(Australia)-Album: To Absent Friends(4000 Records, 2022)

Sanfeliu-Leopardi

Sanfeliu’s sophomore album To Absent Friends is a collection of songs and sound-collages about the people that make us who we are: friendships, relationships based on the free sharing and exchanging of care, nurture, pleasure and knowledge in different times and places.

Like each friend, each song presents different patterns, and a different relationship or exchange model: some friends you see every week, some every summer, some sporadically, some regularly, but they all share a focus on self-reflection, awareness, cooperation, collection creative pursuits, shared passions that bring you together.

Similarly to friendships, these songs show an interest in change, growth, transience, willingness to embrace change and to grow. Some pieces have a clear pop-song structure with verse, bridge and chorus. Others have a ballad structure, and rely on the repetition and contrast between vocal and instrumental parts. Some are entirely built on repetition, whereas others explore development and change, with slowly shifting harmonic sequences.

“In most of the pieces,” says Sanfeliu, “working with very minimal rhythmic and melodic motifs and presenting these across both piano and subtle synth layers helped me integrate the writing into something that allowed for more complex arrangements, whilst feeling still natural, seamless, organic.”

The album’s opening track, ‘To Absent Friends’, is a simple note addressed to all our dear friends: perhaps a letter, or a postcard, a message that travels through space and place between oneself and another, bridging that distance and using it as a strength to build a process of active exchange and communication.

Several of the songs in the album refer to actual people: friends, relatives, writers, philosophers, thinkers and activists that have been influential in Carles’ life.

For example, ‘Leopardi’ is dedicated to the 19th century Romantic poet Giacomo Leopardi, possibly the founding father of emo-core music/poetry, and draws heavily on his own lyrics.

‘El Rey y la Reina de los Desamparados’ is dedicated to Kurt Cobain and its lyrics are an adaptation/mechanical translation of his diaries.

In contrast with Sanfeliu’s debut album (Flores – Colores), To Absent Friends has perhaps a brighter sound, and more uplifting songs with a clear pop structure, whilst continuing their exploration of melodic variety from different musical traditions.

Recorded at Moon Room with Nell Forster and mastered by Marly Lüske at Alchemix Studios, several friends also joined the creative and recording process: Isabel Torres plays flute on 4 songs, Paco Johnson-Cash contributes guitar and lap-steel guitar on 2 songs and Nell Forster herself contributed sound-collaging, drums and percussion.

To Absent Friends tracklist:

1. To Absent Friends [3:22]
2. Leopardi [5:11]
3. Lonely Village [3:57]
4. Bicycles [6:04]
5. Digital [2:30]
6. El Rey y La Reina de Los Descastados [8:11]
7. La Maga Fina [2:47]
8. Grassy Patch [5:40]
9. To Dear Friends [2:55]

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JazzWorldQuest Showcase 2022: Igor Willcox feat. Daniel Santiago, Erik Escobar(Brazil) – Message From Another Dimension (Single)

Igor Willcox feat. Daniel Santiago, Erik Escobar - Message From Another Dimension (Single)

Igor Willcox feat. Daniel Santiago, Erik Escobar(Brazil) – Message From Another Dimension (Single)
Composer/Drums/Synth Bass/Keys: Igor Willcox
Daniel Santiago-guitar
Erik Escobar-rhodes
Label: Room 73 Records
Igor Willcox’s latest composition, a beautiful, lush jazz-rock song with a new age edge, written in the trio format.


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JazzWorldQuest Showcase 2022

World Music Mix: (sic)Trio(Argentina) – Album: Jerga(2022)

(sic)Trio - Jerga

(sic)Trio(Argentina) – Noosa
Composer: Adolfo Trepiana
Album: Jerga( ears&eyes Records, 2022)

‘Noosa’ (4:59): The final track starts with a piano intro and samples. It draws inspiration from a psychedelic experience that turned out not the way it was expected. This also happened traveling far from home days before the pandemic outbreak. This unfortunate event put a stop on that journey.

Charles Gorczynski (bandoneonist, saxist, composer and of Colorlist, Redwood Tango) says this and sums it up best: “(sic)Trio is a contemporary jazz group that integrates widespread elements from Argentine tango and Scandinavian instrumental music. Their sound is free-flowing and impressionistic, focused on exploring melodies inside of carefully crafted rhythmic environments. Tango influence is clear with both the sound of the bandoneon and the melodic focus, but tango lives in the lifeblood of the music instead of taking precedence. Instead the direction is akin to other genre-bending trio jazz projects like The Bad Plus, Dawn of Midi, Little North, Tord Gustavsen, or Girls In Airports.”

‘Jerga’ is (sic)Trio’s debut album. Just as their name suggests, there is no mistake in this trio. ‘Jerga’ comes to us as a special slang at the middle of many possible crossroads. A contemporary manifest that breaks physical barriers and unifies new expressions with a new code.
Adolfo Trepiana (bandoneon) and Noel Morroni (piano) met at the beginning of their musical careers as a part of the boiling scene of the New Tango in Buenos Aires, and have come together again, more than a decade later to record their own original music. Each established in their own composer’s path, they have joined tango expression with jazz, rock, and avant-garde with the help of the third musician in this band: drummer Nacho Coppolecchia.
Listening to this music we think of shadows that stalk us, shadows that return to us a melancholic hip hop filled with lots of air and waves of rhythm. This music lets us dive deep into the depths of watery and atemporal surfaces. We sink in the shiny eye of a Río de la Plata ‘maelström’. Inside we see a whirlpool of free reeds saying farewell to the buttons of the glowing bandoneon. The piano attacks every corner of the music staff finally flying free hand in hand with the intuitive drum-kit maneuvers.

It’s interesting to recall that many of these compositions were written aboard different cruise ships while working in the house band, battling the rigor of the seas and spanning great distances across the world.
Like Ulysses in his ever-returning odyssey, we feel suspended in air and water. We are halfway between coming back home or staying offshore. We don’t know what’s next. We are held expectant almost on trial about what is going to happen with (sic)Trio. What new metric modulation or timbre will this trio use? Maybe the track ‘Noosa’ does this best. This track makes reference to the Australian region by the sea. A beautiful journey that can go wrong and even strange. We can remember the unheimlich sense of being in a place that Freud explains in his essays. But this time, instead of a suit and tie Freud, we have an ‘arrabal’ version of him with a Nik Bärtsch shirt.
These musical waters that come vice-versa from Europe to Argentina embrace in unity. They unite in a faraway, distant, and dark echo although we can’t figure it out. There is a pure black scenario that resists the flashing lights. In it, we can find a time of presence, dialogue, and debate. This acoustic nucleus is the x in (sic)Trio’s map. A present time with a musical stereo. Past and its tradition on one side, futuristic hype (alas! the pandemic) on the other.
‘Jerga’ stands as a self-spiraled record that calls to us even when it’s talking to itself. It’s difficult to resist this fatal attraction, hard not to throw oneself in the water and risk it all. The music feels like a deus ex machina that propels us into a harmonic and melodic triangle constructed by these three Argentinians.
We can welcome this, or we can say goodbye to what we see: a purified original nostalgia.

Personnel:

Adolfo Trepiana – Bandoneon
Noel Morroni – Piano
Ignacio Coppolecchia – Drums

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World Music Mix: Baiju Bhatt & Red Sun(India/Switzerland)-People of Tomorrow

Baiju Bhatt & Red Sun-People of Tomorrow

Baiju Bhatt & Red Sun(India/Switzerland)-Ananda
Album: People of Tomorrow
Label: Neuklang

Baiju Bhatt & Red Sun

Nouvel album People of Tomorrow

Sortie le 28/10/2022 chez Neuklang

En concert à Paris au Pan Piper le 28/11/2022

Baiju Bhatt retrouve son groupe Red Sun pour un troisième album, People of Tomorrow, prévu le 28/10/2022 sur le label Neuklang, qui brouille encore davantage les frontières musicales.

Quatre ans après la sortie du singulier Eastern Sonata, qui mélangeait avec beaucoup de malice et de talent les influences d’une Inde fantasmée et du jazz-rock occidental, le violoniste et compositeur indo suisse Baiju Bhatt récidive et enfonce le clou en nous proposant un album encore plus ambitieux et puissant, doté d’une profonde richesse musicale, harmonieuse et subtile.

Un pied en orient, et un pied en occident, le violoniste Baiju Bhatt réalise avec People of Tomorrow un métissage audacieux entre jazz-rock et musique indienne, entre tradition et modernité.

Entouré par le quintet transalpin Red Sun et par le guitariste Nguyên Lê en invité, Baiju Bhatt & Red Sun forment un groupe alchimique où les différentes sonorités de chacun se fondent dans une parfaite harmonie. A eux cinq, ils effacent les frontières et mixent les cultures dans un grand feu d’artifice multicolore, virtuose et harmonieux. Un jeu fougueux au placement rythmique exemplaire, qui sait aussi devenir romantique et aérien.

Ancien élève de Jean Luc Ponty et Didier Lockwood, le violoniste Baiju Bhatt défend avec son groupe Red Sun un projet musical ambitieux plaçant au centre de sa recherche la quête d’identité et la volonté de faire chanter ensemble des mondes musicaux différents, en particulier le jazz et la musique indienne.

Avec People Of Tomorrow, nous voyageons à travers le monde et différents styles musicaux, et nous en ressentons toutes les saveurs, les odeurs et les épices, si bien que la notion de «musique du monde» prend ici sa pleine signification en effaçant toutes les frontières dans un grand feu d’artifice, chatoyant et multicolore.

Baiju Bhatt approfondit son langage musical et il nous épate encore davantage avec ses thèmes prégnants joués à l’unisson (saxophone-violon avec la complicité de Valentin Conus, ou piano-violon avec Mark Priore) et avec sa musique contrastée, faite de breaks et de ruptures rythmiques, qui multiplie les climats et les atmosphères. Une musique riche et complexe, formidablement bien construite et structurée, qui a l’intelligence d’être toujours accessible et fluide.

L’énergie musicale déployée est à la hauteur du lyrisme des différents solistes, parfois teinté de romantisme, à l’image du jeu de violon de Baiju, qui sait comme personne manier virtuosité et élégance et assembler, avec brio, musique classique, traditions du monde, musique indienne, et jazz-rock !

Baiju Bhatt & Red Sun :

Baiju Bhatt – violon, composition, arrangements

Valentin Conus – saxophone ténor, saxophone soprano

Mark Priore – piano

Blaise Hommage – basse électrique

Paul Berne – batterie

  • invité spécial : Nguyên Lê – guitare électrique

Baiju Bhatt is back with his group Red Sun for a third album, People of Tomorrow, scheduled for 10/28/2022 on the Neuklang label, which crosses musical borders even further.

Four years after the release of the singular Eastern Sonata, which mixed with great playfulness and talent the influences of a fantasized India and Western jazz-rock, the Indo Swiss violinist and composer Baiju Bhatt does it again and insists by offering us an album yet more ambitious and powerful, endowed with a deep musical richness, harmonious and subtle.

One foot in the East and one foot in the West, the violinist Baiju Bhatt achieves with People of Tomorrow a daring mix between jazz-rock and Indian music, between tradition and modernity.

Surrounded by the transalpine quintet Red Sun and by guest guitarist Nguyên Lê, Baiju Bhatt & Red Sun form an alchemical group where the different sounds of each blend in perfect harmony. The five of them erase borders and mix cultures in a great multicolored, virtuoso and harmonious fireworks display. A fiery game with exemplary rhythmic placement, which becomes romantic and ethereal.

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World Music Mix: The B Roads(UK)-Anywhere You Want(2022)

The B Roads(UK)-One Way Trip
Composer: Paul O’Hara
Label: Manse music
Album : Anywhere You Want(2022)

A noir Jazz night road trip, to a 70’s soundtrack in a movie that doesn’t exist. Inspired by the roadmap of the UK, The B Roads is the alias of multi-instrumentalist John Paul Turner, mixing jazz, folk, blues and minimal to create reflections of middle age middle England. Ivor Novello winner Joris de Man calls The B Roads “Off-kilter, original and refreshing”, while the BBC Late Junction show named their ‘Senseless acts of beauty’ album ‘one of the most ear catching records of the year’

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World Music Mix: TapRoots(USA)-Song for the Ocean (featuring I-Shea)

TapRoots-The Resonance Within

TapRoots(USA)-Song for the Ocean (featuring I-Shea)
Composer: Matthew King / TapRoots
Album name: The Resonance Within (2022)

This is a song dedicated to the Ocean Mother of the Yoruba Pantheon, Yemaya. The track ebbs and flows like the great tides and moods of this Orisha of the Oceans herself … a cool breeze on the tropical waves.
It is just a small taste of what is to come with our upcoming album, The Resonance Within.

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World Music Mix: Russ Hewitt(USA)-Chasing Horizons(2022)

Russ Hewitt(USA)-Chasing Horizons(2022)

Russ Hewitt(USA)-Chasing Horizons(2022)

On Chasing Horizons virtuoso Texas-based guitarist Russ Hewitt integrates a diverse palette of Latin and world music in a selection of ten original compositions that define his entire artistic career to date. The album’s beauty stems from an extraordinary synthesis of sensitivities and abilities that speaks directly to the listener’s heart and leaves an enduring impact.

Beyond the technical mastery and distinctive melodicism Russ displayed on his previous three albums, lies a genuine inventiveness he infuses to every track of the new album. The Latin-Flamenco vibe that permeates his music is skilfully infused into each song in a unique way, giving the album the appearance of a collection of hits.

In addition to a band composed of high-class musicians, the present album features a couple of famous guest guitarists, the end result being a cohesive concept where every component fits together perfectly.

The album takes off with Allende on a Spanish Rumba Flamenca notesetting the stage for the exciting program that follows. Hewitt playing is concise and sharp, building the melody with what can be called “refined clarity”.

The title track Chasing Horizons, features guest guitarist Nuno Bettencourt (Extreme) playing in full synergy with Hewitt on an energised composition with a nouveau flamenco tinge with outstanding bass work from Bob Parr.

On Vivir Libre, the guitarist shares the spotlight with Marty Friedman(ex-Megadeth), a real joy to hear both musicians interpolate their skills through dazzling solos.

Amor Perdido is a beautiful merging of guitar and strings thanks to the participation of the Bucharest All-Star Orchestra. Interesting how the symphonic dimension enhances the emotional touch of the guitar.

The contemplative Luminous features the guitarist weaving an unforgettable bright and shiny melody. 

Gently swinging, Sunset Samba welcomes the guest musician Jorge Strunz (Strunz & Farah), the Brazilian breeze emerges with delicacy, we hear a fiesta of joyous spirits.

Luna is a composition of sheer beauty where sadness and joy mix together in a timeless cinematic narrative.

Cubalia Cafe with guest Ardeshir Farah (Strunz & Farah) spreads a Cuban perfume delicately fused in the texture of the song.

Serein-a nicely well-structured piece with a reflective, dreamy side with a superb arrangement.

Ending the album, Return to Simitai reveals an intricate melodic line flowing along the fusion between the guitar and the exotic sonority of the zither performed by the Vietnamese virtuoso Tri Nguyen.

All in all, Chasing Horizons is one of those refreshing albums to uplift the spirit, a real gem to delight the soul and beneficial for any music therapy!

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Russ Hewitt @ JazzWorldQuest


World Music Mix: Ewerton Oliveira & Yatê(Brésil/France) Album: NanÁfrica

Ewerton Oliveira & Yate-NanAfrica

Ewerton Oliveira & Yatê(Brésil/France)- NanÁfrica
Composer : Ewerton Oliveira
Album Name : NanÁfrica
Label : Lira Music Records
Year of release : 08 juillet/July 2022
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NanÁfrica est une composition du pianiste, compositeur, musicologue et pédagogue Ewerton Oliveira, en hommage au grand percussionniste brésilien Naná Vasconcelos. Naná et Ewerton viennent de la même ville : Recife, au Nord-Est du Brésil. Quelques générations séparent ces deux artistes, mais un même regard de la musique les rassemble : créer, dépasser les frontières, croiser les genres musicaux et se réinventer. Les compositions d’Ewerton Oliveira racontent des histoires, proposent des ambiances, rendent hommage, font appel à une mémoire lointaine, des traditions africaines qui sont mélangées au jazz ou à une écriture musicale contemporaine.

NanÁfrica is a composition by pianist, composer, musicologist and pedagogue Ewerton Oliveira, as a tribute to the great Brazilian percussionist Naná Vasconcelos. Naná and Ewerton come from the same city: Recife, in the northeast of Brazil. A few generations separate these two artists, but the same vision of music brings them together: to create, to go beyond borders, to cross musical genres and to re-invent themselves. Ewerton Oliveira’s compositions tell stories, offer atmospheres, pay homage, appeal to distant memories, African traditions that are mixed with jazz or contemporary musical spices.

Ewerton Oliveira & Yate-Yate

Ewerton Oliveira & Yatê(Brésil/France)-Yatê
Composer : Ewerton Oliveira
Album Name : NanÁfrica
Label : Lira Music Records
Year of release : 08 juillet 2022
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Yathê, ou Iatê, qui signifie : « Notre façon d’être, notre façon de parler » ; est une langue indigène parlée par le peuple Fulni-ô, qui vit dans la municipalité d’Águas Belas, au sud-ouest de l’État du Parnambuco. La composition « Yatê », écrite par le pianiste et compositeur brésilien Ewerton Oliveira, est une magnifique manière de rendre hommage à une partie de ses origines. Ce single en version « Live Session », apporte une interprétation qui ouvre un espace à la spontanéité, et un dialogue typique du « live ». Yatê :Notre façon de nous exprimer, notre façon de résoner, notre meilleure façon d’être.

Yathê, or Iatê, which means: “Our way of being, our way of speaking”; is an indigenous language spoken by the Fulni-ô people, who live in the municipality of Águas Belas, in the southwest of the state of Parnambuco. The composition “Yatê”, written by the Brazilian pianist and composer Ewerton Oliveira, is a magnificent way to pay homage to part of his origins. This single in the “Live Session” version, offers an interpretation that opens up a space for spontaneity, and a typical “live” dialogue. Yatê: Our way of expressing ourselves, our way of resonating, our best way of being.

World Music Mix

World Music Mix: Tom Glide feat. Sophia Ripley(UK) – A Deep Love

Tom Glide feat. Sophia Ripley A Deep Love

Tom Glide feat. Sophia Ripley(UK) – A Deep Love
Tom comes back here with an organic , magical dream team/cast of international musicians as Eddie Brown on Pianos , Antoine Katz on Bass and Kamil Rustam on Acoustic Guitar , mixing and arranging the yummy jam with soulful house ,latin or afro spices in a groovy , contemporary jazz house saucepan . Good Appetite !

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Christophe Goze-Soul to Soul (2022)


Known for his brilliant ability to blend world music with jazz and downtempo Christophe does not like to label his music and stick to one genre. “My influences have always been very wide and I never liked the idea of being stuck in one style. I’m more like a musical digital nomad who likes to freely experiment the moment as it comes. Depending where my mind has been traveling and what influences me at the time” says Christophe.

Jazz has always been a big part of his life and his guitar playing as definitely been influenced by it. “I’ve always been fascinated by the colors and sound of Jazz and as a guitarist by the technicality of this music”

Christophe Goze-At The End Of The Street

As a producer his sound is miles away from Jazz. He gets his technique & influences from Lounge, electronic music and even pop. The mix of the two is what he calls “Jazzy Lounge”

The “Reminiscence” album was a strong step into that direction . This new album “Soul To Soul” is another attempt, trying to go even a step further and reach to the planet “Smooth Jazz”. From “Jazzy Lounge” to “Smooth Jazz” the order can be very thin and a very interesting journey to travel. “I certainly enjoyed the trip and can’t wait to see where this is going to take me in the future”


SOME FACTS ABOUT CHRISTOPHE
French born & lives in Barcelona. He was signed by Virgin Japan at the age of 23 then moved to London and started to collaborate with the famous Cafe Del mar & Buddha Bar. Christophe also writes for Television & films & got nominated for Best UK Tv avert music . His latest major synch was on “The 355” movie with Jessica Chastain & Peneloppe Cruz.
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