
An album of all original compositions. One vocal tune surrounded by 11 instrumentals. Powerful and melodic music with passionate guitar playing.

An album of all original compositions. One vocal tune surrounded by 11 instrumentals. Powerful and melodic music with passionate guitar playing.

Neal Bowen’s music showcases his abilities not only on bass, but guitar, keys, and in production. With the contributions of drummer/producer Jason Cooper and trumpeter/arranger Tom Clary, Neal’s debut album Kamikaze Think Tank is a tribute to his musical heroes that have become a part of his musical voice and vision. Echoes of Weather Report, Dixie Dregs, and Steely Dan can be heard throughout.
Featuring:
Bass, Keys, Guitar, Programming: Neal Bowen
Drums: Jason Cooper
Trumpet: Tom Clary
Saxophone: Jim Spake
Trombone: Victor Sawyer
B3 Organ, Synth: Pete DeGloma
Mixing/Mastering: Neal Bowen, Jason Cooper

“Music From The Mint Hotel” is multi-instrumentalist, and composer Hakim Jamal aka Paul Ashley Wheatcroft`s new album, a musical spectrum that includes jazz-funk, soul, R&B, and hip-hop, all expertly blended to fit the concept based on an essay by famous Beat Generation writer Hunter S. Thompson, known for his book “Fear and Loathing in Las Vegas” among his other best-sellers.
The album’s sonic construct gives the music an exquisite fluidity that take the listener on a cinematic journey through the stories of some fictional characters gathered during the (in)famous‘Mint 400’ Off-Road race. But one should not be familiar with Thopson’s writings to appreciate this wonderful album whose technical and artistic qualities deserve the superlative.
Each of the seventeen tracks stands on its own while seaminglessly integrated with the ensemble through a cohesive sound architecture that skillfully keeps an aesthetic balance between the retro flair and contemporary beats. Layers of instruments and vocal lines re-create the sound of the 60s along with “analog” retro vibes tastefully fused with deep seductive tempos sustained by lush bass lines.
Remarkably how the nostalgic feeling permeates the sonic ensemble as a whole, the composer built a creative bridge over time from today`s cultural perspective, and this is only one of the numerous aspects of the album that make listening to it an enjoyable listening experience.
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Guitarist Yuval Ron is going on a European tour with his trio in 2023/4. Yuval Ron Trio‘s style can be described as Cinematic Fusion as it combines elements of live playing, extensive instrumental compositions and a big, film-like background production of orchestral lines, soundscapes and sound effects. The show will mainly feature tunes from his latest album, Somewhere In This Universe, Somebody Hits a Drum which featured Marco Minnemann on drums, in new live trio rearrangements.
Currently confirmed tour dates:
APR 09 Zoetermeer, NL / Progdreams Festival
APR 21 Berlin, DE / Peppi Guggenheim
APR 22 Haan, DE / RRC Prog Night
MAY 26 Berlin, DE / Karneval der Kulturen
JUN 01 Tel Aviv, IL / Tmuna Theater
JUL 06 London, UK / Sci-Fi Rock Night
JUL 07 Abingdon, UK / Prog For Peart
NOV 15 Göppingen, DE / Jazz in Göppingen
NOV 16 Jena, DE / (TBC)
NOV 17 Leipzig, DE / naTo
NOV 18 Fürstenfeldbruck, DE / Subkultur
JAN 28 2024 Berlin, DE / Berlin Prog Night
FEB 23 2024 Hamburg, DE / Hamburg Prog Night
More info & tickets: https://www.yuvalron.com/live
Band Lineup:
Yuval Ron – guitar, vocals
Victor Nissim – bass
Yatziv Caspi – drums

The Brazilian Igor Willcox Quartet‘s spectacular live performance, Live at Bansko Jazz Festival 2022 (Bulgaria), took place during that year’s Bansko Jazz Festival. The four virtuosos are known for their innovative musicianship, outstanding interaction, and captivating groove, and the new release perfectly captures the intensity and vibrancy of this stunning live performance . We hear a collection of catchy songs that were previously released on studio albums, now enhanced by the sparkling spontaneity propelled by the band’s drummer and leader, Igor Willcox, who is performing at his peak along his brilliant fellow musicians. He effortlessly switches between fast and slow rhythms, adding interesting rhythmic improvisations, mixing texture and dynamics with his known virtuosity. The album abounds in clever and entertaining solos. Erik Escobar on keys has impressive solo interventions of great impact on “Brotherhood” , “Message From Another Dimension” , UFO, “The Scare” “Thankful” and “Room 73”. Super-Saxophonist Wagner Barbosa is all over the place unleashing his creative force either interacting with his band mates or charming us with amazing solos on “North City” and “Room 73” just to mention a few . Glecio Nascimento on bass takes the spotlight on “North City”, “Room 73”. Overall this is an album for jazz fusion enthusiasts who will be excited to listen to a concert unique in inventiveness, dynamics and mastery.
THE LONG AND THE SHORT OF THIS ALBUM…
This album has a special meaning for us. It’s the result of 3 concerts that we did in Eastern Europe. We visited fantastic countries including Bulgaria, Slovenia, and Serbia. The people were friendly and accommodating. We were well received and celebrated!!! Bansko Jazz Festival was our first concert. A
grand festival with an impressive setup allround. A picturesque, cozy, and mountainous city with polite and attentive people, rich in culture.
It was so exciting! Certainly, one of the best shows we’ve ever done, and the memories will last
a lifetime! To everyone from Bansko, thank you for the kindness, we hope to be back soon!
Special Thanks to:
Iliana Ivanova, Nikolina Mihailova and all of Bansko Jazz Festival staff, Branislav and all of Nisville Jazz Festival staff, Primoz and Imago Sloveniae.
To my dear brothers, wonderful musicians and human beings: Erik Escobar, Wagner Barbosa,
and Glecio Nascimento. Thanks for always delivering your best! Love you, my brothers!
To my beloved wife, Audrey Willcox, for giving me love and all the support for this tour. To my
mom, Sonia Willcox, and my sister Kika Willcox.
To my friends Ze Cintra, and Vanessa Tonetto for the press kit photos. To my English teacher Myrtle! Your lessons were essential for my self-confidence and they assisted me during the tour.
To my great friend and drum master Giba Favery, who kindly provided the IP&T space for our open rehearsal.
Recorded at Bansko Jazz Festival 2022, Bansko, Bulgaria. This record was made thanks to www.banskojazzfest.bg
Credits:
Wagner Barbosa: Saxophone, Aerophone
Erik Escobar – keys
Glecio Nascimento – bass
Igor Willcox – drums
Mixing and Mastering: Igor Willcox
Cover Photos: Dimitar Aleksov
Text Review: Myrtle Fourie
Sponsors:
Igor Willcox uses Nagano Drums, Domene Cymbals, Datalink Cables, Williams DrumHeads and
DrumSticks, and Power Click.
Wagner Barbosa uses Roland.
Track List:
1- 2020 (Igor Willcox)
2- U.F.O (Igor Willcox)
3- Brotherhood (Igor Willcox)
4- Message From Another Dimension (Igor Willcox)
5- North City (Igor Willcox)
6- The Scare (Igor Willcox)
7- Thankful (Igor Willcox)
8- Room 73 (Igor Willcox)
Label: Room 73 Records
Release Date: Mach/15/2023

New bass player Manuel Muzzu‘s album it’s been released and it’s available for digital purchase and for streaming. The album it’s a concentrate of much of music contamination starting fron jazz, fusion jazz, smooth jazz, latin jazz, where the bass guitar have a most important role playing rhythm part and also melodic part. Played with different techniques, with a different sounds colours.
“Last one” it’s a pretty simple listening track with a great smooth jazz influence and it’s the first song of my last album. The album it’s a concentrate of a different styles of jazz starting from smooth jazz, fusion jazz, Latin jazz, swing and classic jazz. Awesome played by spectaculars musicians, where the bass guitar in all his shapes (4-5-6 strings fretted and fretless) have the dominant part .

Syncretic Strings
AVAILABLE MARCH 2023
Grammy-nominated acoustic guitar greats Strunz & Farah are releasing their 21st album, Syncretic Strings, in March 2023. Their blend of Latin, Middle Eastern, jazz fusion, and acoustic rock elements has been highly influential among guitarists worldwide.
Recognized for their astounding technical brilliance, melodic eloquence, and colorful and sophisticated compositions, Strunz & Farah have created a new collection of ten studio tracks full of energy and beauty. One cut, “This Could Only Be”, features surprise special guest Al Di Meola on percussion.
As the title suggests, the music offers an exuberant diversity, blending many elements into their unique guitar vision, transcending categories, and further expanding the possibilities of contemporary guitar. A new refreshing feast of color, melody, and driving rhythm from these guitar masters, among their very best yet.
“Jorge Strunz and Ardeshir Farah play with the swiftness of a desert wind and the burning passion of a Gypsy campfire…In addition to being talented arrangers and composers, their technical mastery of the instrument – especially in terms of speed – tests the boundaries of the human capability.” – Guitar Player
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Plena Libre celebrates 30 years of bringing the iconic sounds of their Puerto Rican homeland to stages worldwide w/the release of new album Cuatro Esquinas (Four Corners) and worldwide tour dates
Puerto Rico’s multi-Grammy–nominated musical masters, Plena Libre have consistently been enthralling audiences around the globe over the course of their storied 30-year, 16-album career with their original sound — one that infuses the traditional plena and bomba rhythms of Puerto Rico with a fresh spring mix of Afro-Caribbean and jazz styles to create groove-laden dance music that honors their deep sense of the unique indigenous musical traditions, while embracing modern trends.
Now, Plena Libre are celebrating their 30th anniversary in style, unleashing a new wave of awe-inspiring hand drumming, vivacious horns, and soul-soaring three-part vocal harmonies with the release of their new album Cuatro Esquinas (Four Corners), to be released March 31, 2023. The fine-tuned, original band of 12 versatile virtuoso musicians will also be captivating audiences across the map in 2023 with live performances scheduled at festivals in Puerto Rico, the United States, and Europe, including an appearance at the prestigious New Orleans Jazz Festival.
Founder, bandleader, and bassist Gary Nuñez stress the appropriateness of the title, since the group’s music, and especially that of this new album, reflects personal, universal situations, accompanied by the unique sounds of the Puerto Rican rhythms of the bomba and the plena. The album title was inspired by Nuñez’s youth, growing up in a Puerto Rican neighborhood where “Four Corners”, alluded to a local meeting point that sometimes even carried an unfairly bad reputation.
Says Nuñez, “Cuatro Esquinas”, in my adolescence, used to be a meeting point in my neighborhood, with some ‘bad reputation’. It was known as ‘4 Esquinas’ because in each corner there was a bar or bodega. It was the place where people met and all sorts of characters gathered there and replaced their sorrows with some joy, romance, adventure, or consolation. It is the part of our history that does not appear in the “stories” that we were told about who Puerto Ricans are”
Cuatro Esquinas is a representation of some of those experiences, captured in a mix of “traditional” and original songs. Featuring four vocalists singing in lush three-part harmonies – with an aggressive, tight, yet sensitive style, which balances the traditional with the contemporary, the global, and the local – Plena Libre creates a brand of music and live performance that captivates the multicultural audience, invites to dance and to listen to their sound.
The track, “Tu cintura con la mía” was arranged by Luisga Núñez, son of Gary Nuñez who shares with his father a passion for parranda, bajo, and vocal harmonies — bringing a taste of the next generation to the distinctive elements of the group.
“We dedicate this recording to the public and to all those people who have supported Plena Libre, through those 30 years. To all the musicians who are and who have been part of this experience, we are GRATEFUL”, enthused Núñez, who took the opportunity to particularly thank his wife Valerie Cox “for the unconditional, necessary and total support for three decades and to all the musicians that were part of this album, making it possible”.
Apart from Gary Núñez as director and bassist, Plena Libre is made up of: Víctor Vélez (vocals/percussion), Luisga Núñez (vocals/percussion), Rafi Falú (requinto), Miguel A. de Jesús (vocals/percussion), Alex “Callejero” López (vocals/percussion), Rafy Torres, Randy Román and Kevin Ortiz on trombones, Pedro Dominicci (timbales), Manuel Rivera (congas), Karla Martínez on piano and Yarina Torres in charge of choirs.
Cuatro Esquina will be available on all major streaming platforms on March 31, 2023.
Check here for tour updates: https://www.plenalibre.com/tour-dates

“7 times in America,” the latest album by Greek pianist Armagos, is a wonderful display of musicianship and sensitivity. The seven pieces’ minimalist style enables for the compositions’ true beauty to stand out. With emotional depth and that special cinematic quality previously present on his previous albums, the compositions have a softly meditative nature painted with great care and finesse. A beautiful album for listeners who appreciate the inventiveness blessed with grace.

‘Chants’ is Al-jiçç’s fifth album and represents a new aesthetic evolution of the band. It was composed and produced during the pandemic, with the musicians individually recording their parts.
The music started with six little themes composed on an electric piano, which served as a harmonic basis for the improvisations. These improvisations were edited and manipulated, with the mixing and post-production playing a fundamental role on the record.
Keeping the Mediterranean-inspired melodies as a brand, in ‘Chants’ these were mixed in a universe influenced by Miles Davis’ electric period (in ‘Route’), by Dub (in ‘Zadar’) or more ambient electronics ( in ‘Lost Signal’).
This record represents a new direction for Al-Jiçç, using the melodic side as a starting point for more electronic and contemporary universes.
Nuno Damião – guitar, keyboards and percussion
Gonçalo Lopes – clarinet and bass clarinet
Ricardo A. Freitas – electric bass
Jorge Lopes Trigo – percussion
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BEST OF BANDCAMP JAZZ – January 2019 and September 2021
” The quartet Al-jiçç embrace a number of influences, (…), With slinky tempos that slide into thick grooves, the quartet (…) give the different melodic approaches a bird-of-a-feather quality. the interplay between guitar and bass clarinet , like shadowplay between the sun and shade, results in some seriously absorbing moments.” Dave Sumner